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AN INCONVENIENT SEQUEL: TRUTH TO POWER|
THE UNTOLD TALES OF ARMISTEAD MAUPIN
< < D O C S
last update 11.Aug.17
See also: SHADOWS FILM FESTIVAL
|R E V I E W B Y R I C H C L I N E|
An Inconvenient Sequel: Truth to Power
dir Bonni Cohen, Jon Shenk|
prd Richard Berge, Jeff Skoll, Diane Weyermann
with Al Gore, John Kerry, Justin Trudeau, Lyndon Rive, Laurent Fabius, Christiana Figueres, Jenny Staletovich, Chris Hayes, Vanessa Huac, Philip Levine, Narendra Modi, Eric Schneiderman
release US 28.Jul.17,
17/US Paramount 1h38
CANNES FILM FEST
This follow-up to Al Gore's urgent 2006 documentary traces developments relating to climate change over the past decade, and the surprise is that it's not all bad news. While still stressing the need for immediate action as the planet changes so dramatically, this film also explores the things people and nations are doing that offer hope for future generations.
The filmmakers take a fairly aggressive approach to the material, creating a narrative that builds to the 2015 Paris climate conference while cutting to footage shot both earlier and later. On-screen graphics declare the chronology, but close attention is required to understand how events feed into each other. At the centre is Gore, a charismatic figure who speaks the truth with humility, stripping away political nonsense to talk about the morality of making the world a cleaner, healthier place.
This avoidance of arguing using facts is intriguing, and climate-change deniers are given time to state their case, clearly influenced by corporate interests rather than what's best for people. As Gore vividly demonstrates, solar and wind-powered energy makes economic sense: saving money, boosting profits and creating jobs. Indeed, his efforts to explain this to India's officials are what helped make the Paris accord unanimous, a moment of solidarity in the wake of a terrorist attack.
The film is skilfully assembled with gorgeously shot footage as cameras also follow Gore around the globe. He explores melting glaciers in Greenland, the aftermath of a devastating typhoon in the Philippines, attempts to clean the air in China, the increased high-tide flooding in Miami, third-world frustration in India. He draws lucid lines between various natural catastrophes and violent unrest, and notes that the crisis is one of democratic action. We can't sit around hoping someone invents a miracle when there are things we should do right now.
The narrative flows naturally from topic to topic without losing the thread of how important it is to treat the planet with the respect it deserves. Gore repeatedly asks why America is abdicating leadership to China and India, giving in to financial interests that deceive the public to protect profits. He seems exhausted by the politicisation of the issue, weary at Bush-Cheney's undermining of positive action, and then Trump's even more overt rejection of the facts. So why don't US politicians care about the people? The solutions are common sense, financially lucrative and just plain right. This is a war for truth.
R E V I E W B Y R I C H C L I N E||
The Untold Tales of Armistead Maupin||
dir Jennifer M Kroot|
prd Gerry Kim, Jennifer M Kroot, Mayuran Tiruchelvam
with Armistead Maupin, Laura Linney, Ian McKellen, Olympia Dukakis, Jonathan Groff, Christopher Turner, Jane Maupin Yates, Neil Gaiman, Amy Tan, Kate Bornstein, Charles Busch, Richard Thieriot
release US Mar.17 sxsw,
UK Mar.17 flare
A lively and revealing documentary, this film weaves together details from the life and writings of the beloved storyteller who crushed stereotypes and taboos in 70s-80s San Francisco. Armistead Maupin's journey from the conservative South to perhaps overconfident gay icon is fascinating, and it's moving to see how his writings have inspired millions to stand up for themselves and live a more positive life.
After a right-wing upbringing in Raleigh, Maupin served in the Navy during Vietnam then settled in San Francisco, where his fictional daily column Tales of the City started in The Chronicle in 1976. A reflection of the city's diversity, his writing upended expectations by mixing real people and situations with the spectrum of race, religion and sexuality. Eventually these columns were turned into a popular series of novels and a TV series starring Linney and Dukakis. And he's still telling stories.
The film includes a few bombshells, such Maupin's fling with Rock Hudson, whom he outed when he was dying of Aids to help stop ignorance surrounding the disease. And Maupin's meeting with McKellen in the 1980s precipitated the actor's coming out. Filmmaker Kroot tells the story out of sequence, circling back to Maupin's childhood and roaming through his career to recount separate narratives with animated chapter titles. Together they build into a moving picture of a man who has entertained millions while living an honest, outspoken life.
Maupin comes across as more radical variation on Garrison Keillor, chronicling the minutiae of American life with an eye for telling detail. His willingness to explore areas of society that are often considered transgressive has made his work vitally important around the world, bringing human truth out into the light in a way that's warm, funny and hugely resonant. It's like he's shining a light into the corners of society some people would rather not know exists, saying, "Look, we're just like you, really."
Kroot assembles this in a way that's engaging, constantly undermining any bolder commentary with wry humour and warmth. The film could easily have become bogged down in nostalgia over the good old days of free love in San Francisco, or the horrific events of the Aids epidemic. Both of these are here, and both are represented meaningfully in Maupin's writing. What the film does is put them into a larger context, both for a nation and for a man whose job has been to tell the stories.
15 themes, language|
See also: SHADOWS FILM FESTIVAL
© 2017 by Rich Cline, Shadows
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