On this page: AFTER LOVE | LIMBO | LOVERS ROCK

< < I N D I E S > >

Scanlan is a minimalist actress who can express oceans of feelings while seeming to do nothing at all, which is simply perfect for this role. Her alert eyes catch everything, and her emotions are powerfully understated. Eventually she recounts her story in hushed conversations with Solomon, who is beautifully played by the young Ariss as a typical teen with layers of frustration and yearning. Richard has a trickier role, and she makes Genevieve remarkably sympathetic as she grapples with her own shifting realities.

This is a finely crafted film that carefully hones in on the people rather than the plot, while at the same time touching on issues relating to religion, ethnicity and identity. The story also works up a strongly compelling momentum, building tension because the truth simply must come out. And when that confrontation finally arrives, it's remarkably honest and very tough to watch. Khan's lyrical, economical approach to filmmaking is hugely involving, refusing to take expected routes through the narrative then discovering several lovely echoes in the final act.

themes, language

14.Oct.20 lff

El-Masry has a terrific face, wryly reacting to this bewildering place. He underplays scenes superbly as Omar navigates the minefield of British culture while worrying about his family in Syria. The haunting question is who he was, who he is now and whether he would go back if he could. As Farhad, Bhai delivers his often ridiculous dialog with deadpan skill. Knudsen and Collard are hilarious as the clueless officials trying their best. Indeed, everyone around the edge of Omar's story is vivid and often surprising.

There are hints of deeper themes woven throughout the story, such as Farhad's veneration of Freddie Mercury and acknowledgement that he can't be himself back home. And of course there various misunderstandings with locals, both amusing and harsh. Plus surreal moments of sadness, confusion and tragedy. Sharrock doesn't feel the need to over-explain these things, merely allowing them to float in the air, adding thoughtful angles to a complex situation and reminding us that these people are as messy as we are.

themes, language, violence

14.Oct.20 lff

Even with a minimalistic plot, the busy characters provide an involving structure. St Aubyn has the most defined role, intrigued and determined to enjoy herself as she gets to know Ward's charming Franklyn. Both actors beautifully underplay their roles, so their connection has weight to it even as other girls flock around Franklyn. Each person at this party feels fully authentic, including those we never properly get to know. And they're so vibrant that we want to.

This film is so achingly gorgeous that we don't want this party to end. The way the cameras capture these people expressing their emotions within the context of the period and subculture is exquisite. There are serious topical elements peppered around, from open bigotry on the street to inebriated machismo that's both high-spirited and darkly disturbing. These things ground the story and add to the exuberant texture without taking over the film. And it leaves us with a big smile.

themes, language, violence

17.Oct.20 lff