On this page: BROKER | 8 YEARS | WANDERING HEART

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Each actor reveals hidden thoughts and intentions. Song is superbly understated as the thoughtful, caring Sang-hyun. He is genuinely concerned about this cute baby, having lost touch with his own daughter. As Dong-soo, Gang has his own internalised journey as an orphan trying to make a difference. Lee Ji-eun is terrific as a woman with a dark past who faces several momentous decisions. And then there's young scene-stealer Im, who plays a sparky 7-year-old orphan stowaway.

Even with the caper-like plot wrinkles, at its core this is a story about the innate value of human life, and that everyone should hear the words "thank you for being born". In this sense, the film is a lovely ode to adoption. Indeed, as in his previous films (see Shoplifters), Kore-eda is commenting on how a family isn't necessarily determined by its genetic ties, but by people who love and care for each other. At the centre is a disparate group of world-worn charmers who don't belong anywhere, and Kore-eda resists a tidy finale for something more textured and almost lyrical.

themes, language, violence

21.Feb.23

Performances are earthy and complex, as both Jose and David experience a wide range of feelings at the same time. Diosdado and Mestanza have terrific chemistry that feels realistically complicated, maintaining consistent characters in both humorous and more intense scenes together. Their deep connection is real, as is how they push each other away without knowing why they do it, mainly due to unacknowledged possessiveness and jealousy. The supporting cast is also strong, with the charismatic Momo shining particularly brightly.

There's a sense that this film is Alcazar's reminder that even the very best of times probably weren't as blissful as we remember them. It's a film about discovering that feelings that seem eternal can come to an end. The skilful way scenes are assembled is sometimes almost Lynchian, requiring the viewer to relax into the deeper emotions and just go with the flow. This can make the film feels long and a bit indulgent, but Alcazar continually creates striking visuals while touching on powerfully resonant ideas.

themes, language, violence, sexuality

16.Feb.23

There's an open emotionality in the performances that's often difficult to watch, as loneliness pushes hopefulness out of reach. Sbaraglia is terrific as a man who can't admit his relationship is over, no matter how he tries to move on. He tries to obscure his feelings, but simply can't hold them in. His scenes with Ajaka's Luis are particularly powerful. And de la Serna is excellent as a young woman seeking to define her own identity.

With its loosely structured narrative, the explores various relationships in clever ways, most potently in how they bring excitement, security and a sense of self, plus hope for the future. The question is how to balance these with a need for individual expression, and whether simply having fun in any way makes up for finding a deeper connection with someone, whether that's a lover or a family member. And without offering easy answers, the film is quietly assuring.

themes, language, violence, sexuality

21.Feb.23