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The Wizard of the Kremlin

Review by Rich Cline | 4/5

The Wizard of the Kremlin
dir Olivier Assayas
scr Olivier Assayas, Emmanuel Carrere
prd Olivier Delbosc, Sidonie Dumas
with Paul Dano, Jude Law, Jeffrey Wright, Alicia Vikander, Tom Sturridge, Will Keen, Andrei Zayats, Magne-Havard Brekke, Andris Keiss, Alexander Johnson, Marija Linarte, Emmanuel Carrere
release Fr 21.Jan.26,
UK 17.Apr.26
25/France Gaumont 2h04

wright vikander sturridgew
VENICE FILM FEST



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Law and Dano
With snappy dialog and sharply relevant themes, this inventive and expertly assembled film is a fictionalised account of Vladimir Putin's rise to power in post-Soviet Russia. Director Olivier Assayas orchestrates the story with skill and artistry, deploying a lucid script (which he wrote with Emmanuel Carrere) and knowing direction that makes terrific use of colourful locations. And the narrative moves briskly through pointed and strikingly tense situations.
After a career in theatre and television, artistic producer Vadim (Dano) becomes entangled with politics in the mid-1990s when he starts working with his media mogul friend Boris (Keen), who is manipulating the feeble Yeltsin government. Boris chooses Vladimir Putin (Law) as the next prime minister, but underestimates both his desire for control and his disconnection from specific ideologies. With Vadim's adept assistance, Putin reshapes society with one goal: to bolster his grip on power, sidelining oligarchs while turning his friends into billionaires. Then in 2014 he decides he needs to bring Ukraine to heel.
With its dense story structure, the film is riveting even when it feels like a history lesson. Events are recounted by a now-retired Vadim to American author Rowland (Wright), so the film sticks closely to his alert perspective. Scenes are peppered with witty banter and a vivid forward momentum. Scattered extraneous scenes involving Vadim's on-off romantic partner Ksenia (Vikander) offer both a female voice and more glamorous settings outside Moscow.

Steely, authentic performances cut through any sense of impersonation. Law's take on Putin is astonishing, evoking the real figure while digging more deeply into his motivations and dark sense of humour. It's also an increasingly sinister depiction of a principle-free man who seizes and consolidates strength with ruthless efficiency. Meanwhile, as the film's protagonist, Dano gives a remarkably well-rounded turn as a man who simply does what he needs to do while also enjoying life as much as he can.

As it charges through decades, this literate fiction puts historical events into new context. None of what Vadim and Vladimir do is based around political beliefs, so they have unusual freedom to manipulate situations, from the war Chechnya and the Sochi Olympics to the Kursk tragedy and Kyiv's Maidan protests. Plus of course Russia's chaos-inducing social media farms. They want to craft power vertically rather than horizontally; it only looks like a democracy. And the most chilling note is when Boris and Vadim realise that they have built a runaway train that will mow them down.

cert 15 themes, language, violence, sexuality 14.Apr.26

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© 2026 by Rich Cline, Shadows on the Wall
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