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On this page: ABODE | LUNAR SWAY | ON THE SEA

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See also: SHADOWS FILM FESTIVAL | Last update 1.Apr.26

Abode  
Review by Rich Cline | 3/5  
Abode
dir-scr Liam O Mochain
prd Bernie Grummell, Liam O Mochain
with Liam O Mochain, Mary Murray, Stephen Jones, Rose Henderson, Donncha Crowley, Marion O'Dwyer, Mary McEvoy, Brendan Conroy, Gail Brady, Matthew O'Brien, Jed Murray, Anthony Morris
release Ire 7.Nov.25,
UK 20.Mar.26
25/Ireland 1h21



Is it streaming?

Brady, Murray and O'Brien
With five thematically linked threads, this Irish drama explores what home means for different people. Essentially, each is a short film of its own, connected by a sense of belonging. Accompanied by a jaunty, style-shifting score, actor-filmmaker Liam O Mochain creates a relaxed tone that overcomes what is clearly a low budget. And because they are based on true stories, each strand is able to generate resonant feelings.
In Dublin, Benedict (O Mochain) gives cash to a homeless woman (O'Dwyer) outside his restaurant. Later, she finds an unlocked door and hosts Christmas lunch. Meanwhile, Peggy (McEvoy) defies criticism from her son (O Mochain) about the gentleman (Conroy) she's seeing. Before a meeting, Molly (Henderson) stresses out her husband (Crowley), but she's been waiting 47 years for this. Sam (O'Brien) and Skyler (Brady) buy a smart cooker that has a scary mind of its own. And on a romantic weekend away, Maria (Murray) and Conor (Jones) find that things don't go quite as expected.
Titled with representative graphics, these are stories of open-hearted kindness, rekindled relationships and unexpected connections. Some are deliberately more humorous than others, such as the sinister oven story, which spirals into a pitch-black comedy. And the final segment features a warm relationship that sustains a series of somewhat silly setbacks leading to a nice surprise. Each of the stories has an understated twist in the tale that propels these people in surprising directions.

Because everyone on-screen is played as an everyday person, there's a likeable honesty to the way each of the strands unfolds. The writing and direction may not be terribly complex, but the characters are easy to identify with, which allows us to see strong nuances in the actors' performances. O Mochain pops up as an unrecognisably different character in each tale, as do other cast members. Standouts include Henderson's emotive Molly and O'Dwyer's joyful Carol.

There's nothing terribly deep going on here, but these warmly involving narratives are engaging, funny and sometimes moving. At the centre of each segment is the need to find a safe place to call home. While some strands are goofier than others, the underlying ideas grab hold, even if each story leads to a rather soft landing. O Mochain's aim seems to be to create something thoughtful rather than punch the plot points. And yes, they could perhaps use more of a kick.

cert 15 themes, language 17.Mar.26


Lunar Sway    
Review by Rich Cline | 4/5  
Lunar Sway
dir-scr Nick Butler
prd Nick Butler, Lucas Meeuse, Jennifer Wrede
with Noah Parker, Liza Weil, Grace Glowicki, Douglas Smith, Kaden Connors, Irina Dubova, Michael Dyson, Andy Yu, John Tench, Mirella Gibeau, Tyrone Benskin, Paloma Nunez
release UK Mar.26 flare
26/Canada 1h38

bfi flare



Is it streaming?

parker
Set in a present-day Canadian Wild West, this thoughtful film explores an unexpected relationship between people who don't know who they are on their own, let alone together. Writer-director Nick Butler takes an offbeat approach to storytelling, drawing us in with mystery and random details before flipping the film through various genres. It's also nicely shot to capture locations as well as the inner lives of these people.
In a small town, neon artist Cliff (Parker) is startled when his birth mother Marg (Weil) turns up and tries to get to know him, telling him that she'll be moving on soon. His adoptive parents (Dubova and Dyson) are even more shaken by Marg's sudden appearance, but they invite her over. Meanwhile, Cliff has lingering feelings for a painter (Connors) who left him heartbroken. So he is beginning to think he wants to leave town with Marg. Then the jittery Bailey (Glowicki) arrives, telling Cliff that Marg isn't who she claims to be.
While all of this is happening, Cliff meets Stew (Smith) in a local bar and they begin seeing each other. He also amusingly turns the tables on his therapist (Yu), tormenting him with sketches from his notebook. These kinds of details add intriguing layers to the story, quirky things that makes these people feel superbly idiosyncratic. And there are clever references to luck and superstition woven throughout the script. All of this continually shifts the plot's trajectory in rather random directions.

At the centre, Parker has an engaging presence as a likeable and reticent young man. Cliff is restlessly creative, making soap and perfume in his spare time. And his innate curiosity opens him to the people he meets. Flashbacks and rather freaky dreams take us into his mind. He has strong chemistry with Weil's intentional Marg, who takes him on an unexpected odyssey. And side roles are fun, including Smith's hapless Stew, Yu's befuddled shrink and Connors' mysterious artist.

This is a fascinating exploration of the deeper motivations that spur us to do inexplicable things. And most unusual is the way it touches on how to avoid feeling guilty for doing what you love to do. So it's telling that Cliff cries so easily, especially sensitive to the way it so often feels like something is wrong. The loose, shifting narrative catches us off guard several times along the way, creating unexpected complexities and thematic nuance. And the clever insights sneak up on us.

cert 15 themes, language, violence, sexuality 21.Mar.26


On the Sea  
Review by Rich Cline | 4/5
On the Sea
dir-scr Helen Walsh
prd David Moores, David A Hughes
with Barry Ward, Lorne MacFadyen, Liz White, Celyn Jones, Henry Lawfull, Danny Webb, Callum Hymers, Sheldon Jones, Tristan Jones, Kieran Roberts, Leisa Gwenllian, Lisa Jen Brown
release US Jan.26 psiff,
UK Aug.25 eiff
25/UK 1h51

bfi flare



Is it streaming?

ward and macfadyen
Earthy and realistic, this understated drama set in North Wales quietly explores masculinity with characters ranging in age from 15 to 70. It's an observational film that gets under the skin with layers of interaction that are dryly humorous, and a central storyline about a man taking an unexpected journey into his sexuality. Writer-director Helen Walsh has a terrific eye for complex family dynamics and profound personal feelings.
On the coastline, Jack (Ward) collects mussels alongside his younger brother Dyfan (Celyn Jones). And he hopes his 15-year-old son Tom (Lawfull) will follow in the family footsteps. But of course Tom wants to do his own thing. Jack's wife Maggie (White) insists he'll come round, but Jack is doubtful. While helping an injured friend (Webb), Jack meets newly arrived scallop fisherman Daniel (MacFadyen) and hires him to help rake mussels. But Jack is nervous about the lusty spark of attraction between them. As he struggles with his feelings, he thinks he could lose everything.
With the world shifting around, their business is struggling, which adds tension between Jack and Dyfan. Meanwhile, the older generations are struggling with the callous disrespect of youngsters. This turbulence is reflected in the relentlessly gloomy, wet weather and the tough work these men do on bustling boats and muddy beaches. And the community's religious culture is depicted alongside Jack's secret visits to a cruising cave.

Performances have a raw honesty that's dark and gritty, with actors playing people who try to hide emotions just under the surface. Ward is excellent as the likeable Jack, who haplessly does what's expected of him. It takes a punch from the magnetic MacFadyen's straight-talking Daniel to make Jack think about how he's behaving. Their strong chemistry creates a visceral connection between them. And both White and Jones have their own impact, especially as the plot takes some turns in the final act.

Momentous scenes play out with hushed, minimal dialog, creating an intriguing look at how life events can trigger long-buried yearnings. There's a sense that Jack has never given into his suppressed desire, so as he becomes unsure about other things in his life, his sexuality becomes his one constant. What Jack is unnerved to discover is that this isn't merely a physical attraction. He still cares deeply for Maggie, but his bond with Daniel feels like something else. The question is whether he will muster the bravery to find the truth and live it while he can.

cert 15 themes, language, violence, sexuality 26.Mar.26


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