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On this page: INHERIT THE WITCH | NOTICE TO QUIT | REZ BALL

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See also: SHADOWS FILM FESTIVAL | Last update 22.Sep.24

Inherit the Witch  
Review by Rich Cline | 3/5  
Inherit the Witch
dir-scr Cradeaux Alexander
prd Rohan Quine
with Cradeaux Alexander, Rohan Quine, Heather Cairns, Christopher Sherwood, Imogen Smith, Elizabeth Arends, Max Dimitrov, Hugo Wilkinson, Graham Pountney, Fergus Foster, Michelle Hudson, Maddie Crofts
release UK 27.Sep.24
24/UK 1h25



Is it streaming?

alexander
Infused with snappy attitude, this wildly offbeat British thriller playfully teases the audience with lively performances and an eye-catching visual style, using clever settings, camerawork and editing to make the most of a low budget. With a blackly comical tone, actor-filmmaker Cradeaux Alexander gleefully springs jump scares and grisly discoveries on the audience. It's more of a bonkers horror treat than genuinely frightening, which definitely isn't a bad thing.
It's been 40 years since a momentous 14th birthday party for twins Jesse and Cory (Crofts and Dimitrov), when mysterious family friend Pamela (Smith) gifted spells to both Cory and his younger half-brother Rex (Wilkinson). Now their father has died, so Cory (now Alexander) returns to England, as does estranged sister Fiona (Cairns). They don't know that Rex (now Quine) is Pamela's dark-arts cohort. Even as Fiona warns Cory that occult secrets gurgle through their family history, he won't admit that this affects him. But he's far more involved than he thinks he is.
Opening with a lively home video from that 1984 party, the film is punctuated with other videotapes, revelatory flashbacks and cutaways to Pamela and Rex in the present day engaging in creepy rituals with an elder witch (Pountney), while Pamela prepares for some sort of transition. Like deranged puppet-masters, Pamela and Rex forcibly enlist Cory's sex-obsessed boyfriend Lars (Sherwood) in their increasingly nefarious plan to claim the family's true inheritance. The question is who will actually receive it.

Even with the heightened witchy nuttiness, performances have a nicely offhanded feel to them. Alexander provides a strong screen presence as a guy who has blocked his own memories of this chaos, and continues to reject it as long as possible. Quine provides a terrifically slippery, sinister presence, while Cairns is the most sympathetic character, increasingly unnerved by every new detail she unearths. As things get crazier, so does the acting, providing an entertaining kick.

Stylistically, the film evokes camp British horror classics through its use of woozy camerawork, a freaky soundscape and tricks like split screens and jarring visions. While the plot is way over-the-top, it also has an intriguing subtext for families that have been splintered by events everyone simply refuses to speak of, fuelling denial, suppressed memories, power plays and darkly brewing grudges. And even if where this goes is more than a little ridiculous, it's so much fun that we can't look away.

cert 15 themes, language, violence 21.Sep.24


Notice to Quit
Review by Rich Cline | 2.5/5  
Notice to Quit
dir-scr Simon Hacker
prd Gordon Hayward, Wyatt McBride, Jordan Drake, Simon Hacker
with Michael Zegen, Kasey Bella Suarez, Isabel Arraiza, Michael Angelo Covino, Robert Klein, Eric Berryman, Demosthenes Chrysan, Victor Verhaeghe, Nell Verlaque, Rose Jackson Smith, Willy McGee, Jaime Zevallos
release US 27.Sep.24
24/US 1h31



Is it streaming?

suarez and zegen
Frantically chaotic from the start to match the central character's out-of-control life, this comedy feels like a rollercoaster as it swerves through a particularly momentous day in a single dad's life. Writer-director Simon Hacker keeps the film grounded with realistic characters and situations, although it's more than halfway in before anything meaningful happens. And the constant interruptions and disruptions begin to feel more than a little exhausting.
Out of work as an actor and not doing much better as a Manhattan estate agent, Andy (Zegen) is being evicted from his apartment when his bright-spark 10-year-old daughter Anna (Suarez) turns up unannounced, running away from her mother (Arraiza), who is preparing for them to move to Florida. So while he's forced to look after Anna, Andy is dealing with problems coming at him from all sides, including his angry landlord (Chrysan), a rival colleague (Berryman) who has nicer properties to show and a dodgy guy (Covino) with whom he's running a stolen-appliance scam.
Because Andy is the author of most of his problems, and he's also more than willing to break the law, it's difficult to have much sympathy for his predicament. Anna continually reminds him that what he's doing is illegal, but he belittles the victims and tells Anna to grow up. He also says some astonishingly cruel things out of frustration, digging himself deeper into various holes. Over the course of the film, his life unravels further and further, which of course leads to the expected epiphany.

Zegen has terrific energy as Andy, who is already spiralling when we meet him and only gets increasingly desperate. So even if he never wins us over, he's at least likeable enough to hold the interest. His chemistry with the gifted young Suarez has some nicely unexpected textures to it, revealing deeper character traits. And Suarez provides the grace the entire film so badly needs and none of the other adults on-screen can even remotely muster.

Through all of this, a boisterous vegan animal rights protest is marching through the streets, continually crossing into Andy and Anna's path, although the relevance is rather tangential until it becomes a deliberate plot device. Indeed, where the story goes feels rather corny and predictable, and also uncharacteristically sentimental. But at least it's skilfully assembled, with a strong use of settings and a nicely played father-daughter vibe that finds some gently enjoyable wrinkles along the way.

cert 12 themes, language, violence 20.Sep.24


Rez Ball  
Review by Rich Cline | 3/5

Rez Ball
dir Sydney Freeland
scr Sydney Freeland, Sterlin Harjo
prd Katie Elmore, Mauricio Mota, Spencer Beighley, Jamal Henderson, LeBron James, Nancy Utley
with Jessica Matten, Kauchani Bratt, Julia Jones, Amber Midthunder, Ernest David Tsosie, Kusem Goodwind, Zoey Reyes, Ryan Begay, Devin Sampson-Craig, Cody Lightning, Dallas Goldtooth, Sam Griesel
release US/UK 27.Sep.24
24/US 1h51


TORONTO FILM FEST



Is it streaming?

bratt and goodwind
Based on a true story about teenage Native Americans, this lively film hinges around rather a lot of basketball, but it also grapples with enormous issues. Filmmaker Sydney Freeland establishes a realistic tone, which gives the story a powerful impact. It's a rousing movie that follows the usual genre trajectory, which makes it feel rather predictable and fatalistic. But the setting gives it an extra kick of interest.
In New Mexico's Navajo nation, coach Heather (Matten) is under pressure to make sure the high school basketball team has a winning season, especially with star player Nataanii (Goodwind) back playing alongside his best pal Jimmy (Bratt). But Jimmy has to work to help support his single mother Gloria (Jones), and Nataanii is haunted by the death of his mother and sister in a drunk-driving accident, leading to suicidal thoughts. With the team in serious need of healing, Heather brings in assistant Benny (Tsosie), who taps into their heritage to inspire them to work together.
Tribal traditions add lovely textures to this story and highlight the collision of communities that are pictured here, from the high school basketball world to dividing lines between ethnicities, economics, urban and rural. Thankfully, the way Heather and Benny use Navajo history to inspire these boys is done in a way that only occasionally feels corny or cliched. Jimmy can't speak the indigenous language, and none of the teammates know how to herd sheep, but of course they are about to learn Important Life Lessons together.

Performances are earthy and engaging, although the film undermines the audience's involvement by splitting the perspective between Heather and Jimmy. Still, both Matten and Bratt have plenty of charisma to make their characters' journeys compelling, and they bounce off each other in ways that create a nicely edgy camaraderie. There's also a gently developing romance as Jimmy studies Navajo with his supervisor Krista (Reyes), plus an affirming story for Jones' textured Gloria and Nataanii's dad (Begay).

"You all descend from warriors," Benny reminds these kids, while Heather appeals to their never-give-up spirit. The narrative wanders off to follow sideroads addressing community issues like alcoholism and employment. And the script stumbles as it forces the themes into the usual structure for this kind of movie. Still, as this team turns itself around by playing in an upbeat "rez ball" style, the film focusses on how this positivity is something the entire nation needs.

cert 12 themes, language, violence 22.Sep.24


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