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In a rare leading role, Pantoliano absolutely shines, vividly capturing Marco's likeability and tenacity, as well as his moral centre. It's delightful to watch him tap into something deep inside of him, finding unexpected joy that's infectious to those around him. Crewson and Brancati have a lot of fun as the initially sceptical wife and daughter, and then they make their own connections. The locals are feisty, funny and of course expert scene-stealers.

All of this plays out in a way that's wistful and sweet, an enjoyable blend of earthy drama and comical nuttiness, with a bit of romance stirred in for good measure. It's not the kind of movie that changes the world, but in its reminder of the things that are truly important in life, it has the power to change the heart of someone who has stopped watching to their inner compass. Yes, it's all rather corny and cute, but it leaves us with a big smile.

themes, language

5.Oct.20

Pearson and Willoughby have terrific comic timing, delivering sparky banter that walks a fine line between affection and cynicism. Lucy and Chris aren't great at communicating very profoundly, but they constantly make each other laugh with improvised insults and gags. They're also connected deeply enough to know how to push each others' buttons, and both wildly overreact to flirting, sometimes for good reason. In addition, Chris is almost overpoweringly dim so, in fine farcical style, Willoughby spends rather a lot of time drunk and/or naked.

While there are pointed angles to this relationship, the film isn't terribly profound, more like freewheeling sketch comedy than a comment on how couples connect. And while the various locations are gorgeous, there's never an exploration of why they're considered to be romantic, or even what that might mean. A clanking plot point at the halfway point offers some intriguing options. It's also a pathway to a rather nice final sequence that finally lets us see what they like about each other.

themes, language, sexuality

5.Oct.20

Realbuto's performance is often unnerving, veering through layers of intensity, sometimes wildly heightened for effect, sometimes darkly introspective, but always with a thin mask of bravado. And Gould is also superb as a young man hiding his feelings, then reluctantly letting them out. But he's not easily manipulated, and the scenes between these two men have an electric energy as the power shifts back and forth. Side characters exist outside the circle they form, offering perspective and further provocations.

This is a challenging film that takes on some very big issues that refuse to be cut and dried, forcing us to question the way we can so quickly judge a situation or a person without having all the facts. The various relationships are messy; the ideas are often brutally honest. And along with this, the film is also a remarkable exploration of the art of acting and how it requires a person to dig into the most locked away parts of themselves in order to reveal truth through their character.

themes, language, violence

3.Oct.20