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Each of the actors creates a realistic character, skilfully underplaying the comedy, which of course makes it funnier. This also keeps the tone light even when serious things are going on, playing up awkwardly hilarious dialog instead of the complex reality. Pudi has the central role, and he and Chang, Walsh and Alfano are terrific as people trying to set rules for something that breaks all the rules. Their reactions are hilarious, as is the way they attempt to speak like mature adults through some very sticky topics.

Within the comical framework, the film explores the bigger issues that circle around these two couples as they try to work through the process, including the high costs and moral questions. Each stage of this process brings unexpected challenges, and Friedlander stretches everything out with extended set-pieces and unnecessary wrinkles and revelations. Along the way, the movie veers between silly farce and proper emotions. It may sidestep the deeper issues but it's consistently engaging.

themes, language, sexuality, violence

20.Jul.20

Director Bartley's main note seems to have been, "Go bigger." The actors overplay everything, so even the relatively serious moments are infused with smiley sass. Steele and Brundidge at least allow some knowing textures to seep in around the edges, so when the characters drop their guard there's a vague sense of realism to their interaction. The other kids and adults are much more cartoonish, sometimes annoying (the gurning Bernard) and occasionally amusing (Winokur's frazzled musical director).

There are strong scenes carefully peppered throughout the narrative, such as when Josh stands up to his dad's pushiness. But this signals a rather trite turn of events that only ramps up the backstage cattiness, leading to dopey slapstick and an epically cliched showdown. Thankfully, by this point there's enough emotional resonance that we are rooting for the characters. So it's surprising that the final scenes are almost staggeringly cynical.

themes, language, violence

13.Jul.20

The design work is gorgeous, with striking colours and textures and a fantastic approach to both characters and settings. The film borrows elements from a range of other films, most notably Monsters Inc and Minions, but it puts its own spin on them by playing with an unusual range of ideas and issues, including peer pressure and the fear of losing family connections. So while some plot points feel a bit corny, and the climactic monster isn't terribly scary, the film resonates in unexpected ways.

There are some remarkably dark ideas swirling through this story, with creepy dangers lurking in this fantastical realm. And back in her real life, Minna faces harsh bullying from several sides. But her manipulation of Jenny feels even nastier, and has serious repercussions. So in the final act, she has to go on a redemptive quest that feels a little pushy. Even so, the deeper themes are strong, tapping in to new emotions, and the filmmakers' visual invention is relentlessly engaging.

themes, some violence

16.Jul.20