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In the role, Blane remains likeable even as Mark orchestrates most of his own problems. He may be a dork, but his pure intentions make even his most transgressive behaviour seem innocent. Other characters don't see him this clearly, so are often horrified. The actors play them with earthy realism that's a sharp contrast to Blane's cluelessness. Standouts include Serralles and Kim as Milo's distinctly different parents, and Shear, DeVito and Duff as Mark's eclectic flatmates.

Astonishingly, the film never laughs at Mark, refusing to poke fun at either his naivete, or the more shocking things he does without realising the impact of his actions. Blane has created Mark as a kind of alter-ego, and by allowing the writing and direction to remain sympathetic to Mark, the film actually finds some important things to say about protective childhoods and the way we choose to treat people who are different from ourselves. It's also disarmingly entertaining to follow Mark on this odyssey.

themes, language, sexuality

20.Jun.19

Stephens deploys his understated on-screen magnetism, effortlessly generating steam in each scene. His connections with everyone feel earthy and honest. Bailey has a scruffier likeability, but works nicely opposite his costars, including scene-stealing bit players. The supporting cast members bring plenty of spark to their roles, helping create a wide, lively community for Pete and Jack to live within. Although some of them badly overplay their roles.

This is the kind of movie that never feels terribly realistic, even though there are elements in the people and situations that resonate. It's certainly an easy film to enjoy, since its heart is in the right place, trying to explore the idea that love comes along when we least expect it, and that following our heart is the only way to move forward successfully. There's not much more to it than that, and if we engage our brains it all falls apart. But it's rather satisfying as a bit of warm, witty escapism.

themes, language, sexuality

26.Mar.19 flare

The voice cast is solid, offering enjoyably edges along the way. So even though everybody is somewhat bland, there are quirks that add a bit of interest. Without the rendering power of the big studios, the animation looks plasticky, with characters who aren't particularly original-looking. But the settings are often strikingly visual in wide shots, with some strong colours and textures in the backgrounds. Set pieces are staged with mildly suspenseful elements, but it's more comical than scary.

There are also some half-hearted attempts at drama, romance and even musical numbers. Although the generally goofy tone keeps the film from ever grabbing hold, it's diverting enough while it lasts, as the intrepid Leo and Lisa take on the greedy pirate captain (Price) and his bumbling goons, plus a shadowy bad guy who has his own secret mission. There are a few big wrinkles in the story that further complicate things, while adding nothing particularly meaningful. But it'll keep kids quiet for 85 minutes.

themes, violence

26.Jul.19