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| Wolf Creek | |||
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| R E V I E W B Y R I C H C L I N E |
dir-scr Greg McLean with John Jarratt, Cassandra Magrath, Kestie Morassi, Nathan Phillips, Andy McPhee, Aaron Sterns, Guy Petersen, Gordon Poole, Jenny Starwall release UK 16.Sep.05, US 18.Nov.05 05/Australia 1h39 ![]() Lost in the Outback: Phillips - above, and with Magrath and Morassi, below.
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Loosely based on a true story from the Australian outback in 1999, this film develops slowly from a road movie into one of the most viciously nasty horror thrillers in recent memory. But the extreme grisliness is purely gratuitous.
Liz, Kristy and Ben (Magrath, Morassi and Phillips) have a big blowout party in Broome before starting on their cross-country drive, during which they visit Wolf Creek National Park, site of a massive meteor crater. Various lively adventures and romantic entanglements ensue and, when their car dies on them, they're rescued by Mick (Jarratt), a Crocodile Dundee-esque Outback bloke. But they wake up the next morning to a whole new world of horror. If anyone gets out alive it'll be a miracle. This final fact jeopardises the film's "true story" credentials. Or maybe this is an Open Water-style tale in which everything that follows has been pieced together from the evidence. On the other hand, as it progresses we can sense that it will either turn into a Blair Witch scare-a-thon or a Texas Chainsaw Massacre slaughter-fest. And indeed, it does go down one of these routes. And it's gut-wrenchingly awful to watch--horrifyingly violent, stomach-churningly gruesome and soaked in inevitable tragedy. It's also extremely well-filmed--the photography is simply gorgeous, from the sun-drenched beach to the sun-baked bush. And the action is impeccably staged in a startlingly realistic way, while the script drops little hints as to what's in store--missing people, UFOs, the need for food, water and warm clothing in the Outback. Charming and relaxed performances add to the disarming ambience. And all of this combines to slowly build a horrible sense of dread long before anything bad actually happens. But when it goes wrong, it goes unspeakably wrong. The film's final hour is staggeringly ghastly. And McLean includes far too much detail. It's so intense that we're unable to breathe, longing like the characters for it to end soon. It also feels strangely irresponsible to call this a true story. Perhaps this is McLean's idea of a joke, but families of people who have gone missing will never sleep again. Nor will many others who see this.
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Pete Dixon, London: "I knew it was a horror but I didn't expect to see women being raped and tortured. It wasn't really a horror - just an exercise in bad taste. Looked like the camera was loving it too, which was what made me walk out. How do films this bad ever get made?" (13.Sep.05)
jason wingard, UK: Sacha, Sydney:
Melanie, UK:
Simon, Sydney:
Misty, net: "Is the worst film of the year. The movie was poorly researched, no true facts, waste of time and money." (28.Dec.05) mimi, salisbury, md:
m reagor, net: "Absolutely the worst and most stupid movie I have ever seen. I was embarrassed that it even made into a major theatre, but I was troubled that I could pay nine dollars and get ripped off like I did. The producers of this movie should go to jail." (7.Jan.06) Archie, uk: jennifer, Buffalo, New York: Vicki, Australia: Marco, UK: Jo, York, UK: Jordan, England: "I thought this film would be scary seen as it was a horror! I get scared very very easily and even this film didnt scare me! i was crap! one of the worst horror movies i had ever seen! then it said that it was a true story so i looked it up and its got nothing to do with the story its supposedly linked to!" (9.Apr.06) | |||
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© 2005 by Rich Cline, Shadows on the Wall
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