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The Naked Gun
Review by Rich Cline |
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![]() dir Akiva Schaffer prd Seth MacFarlane, Erica Huggins scr Dan Gregor, Doug Mand, Akiva Schaffer with Liam Neeson, Pamela Anderson, Paul Walter Hauser, Danny Huston, CCH Pounder, Kevin Durand, Liza Koshy, Eddie Yu, Michael Beasley, Cody Rhodes, Busta Rhymes, Dave Bautista, 'Weird Al' Yankovic release US/UK 1.Aug.25 25/US Paramount 1h25 ![]() ![]() ![]() Is it streaming? |
![]() With their Police Squad! franchise (1982-1994), Zucker-Abrahams-Zucker threw every joke imaginable at the screen, and kept us laughing at their audacity. Filmmaker Akiva Schaffer is clearly a fan, lovingly crafting this action comedy as a next-generation sequel. Although his joke selection is just a bit more curated. This makes the movie steadily hilarious, even if it never feels like it might spiral out of control at any moment. Detective Frank Drebin Jr (Neeson) is following in his father's footsteps in Police Squad, as is his partner Ed Jr (Hauser). Their new case involves the suicide of a genius who worked for tech billionaire Richard (Huston). And the victim's sister Beth (Anderson) reaches out to Frank, convinced that it was murder. With the chief (Pounder) on their backs and Richard's henchman Sig (Durand) on their trail, Frank and Ed soon find themselves working outside the law. And Frank and Beth's romantic interaction boils over into a sexy weekend building a snowman in the mountains. Much of the narrative feels deliriously random, pieced together from various nutty set-pieces as Frank absurdly bumbles along while somehow managing to solve the crime. Because it's all played dead-straight, complete with a thumping Lorne Balfe score, dry humour emerges from every direction: in throwaway dialog, passing sight gags and extended sequences that pile laughs on top of laughs. The only time we're not chuckling is when the plot clanks into another gear. Neeson proves to be a perfect successor to the iconic Leslie Nielsen, delivering each ridiculous joke with deadpan charm. Frank Jr is just as oblivious to the innuendo he drops everywhere or the carnage he leaves in his wake. He also has terrific chemistry with Anderson, who also dives fully into the nonsense without cracking a smile. Together, they generate a continual stream of riotously funny moments. The supporting performers and cameo players gamely indulge in the slapstick and wordplay, while never upstaging Neeson and Anderson. This is a rare comedy that keeps us laughing from the goofy prologue all the way to the final post-credit silliness. While this movie is more risk-averse than its predecessors, Schaffer is also willing to try some jaw-droppingly stupid things. This is a legacy sequel that picks up the ball and runs with it, continuing the story with an all-new cast that echoes original characters without trying to recreate them beat by beat (although the Priscilla Presley cameo is far too brief). It's also so much fun that we never want it to end.
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© 2025 by Rich Cline, Shadows on the Wall | |||||
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