SHADOWS ON THE WALL | REVIEWS | NEWS | FESTIVAL | AWARDS | Q&A | ABOUT | TALKBACK
Wallace & Gromit
Vengeance Most Fowl

Review by Rich Cline | 5/5   MUST must see SEE

Wallace & Gromit: Vengeance Most Fowl
dir Nick Park, Merlin Crossingham
scr Mark Burton, Nick Park
prd Richard Beek, Claire Jennings
voices Ben Whitehead, Reece Shearsmith, Peter Kay, Lauren Patel, Adjoa Andoh, Lenny Henry, Muzz Khan, Diane Morgan, Maya Sondhi, Garth Jennings
release US 18.Dec.24,
UK 25.Dec.24
24/UK Aardman 1h19

park shearsmith andoh
AFI FEST

See also:
The Curse of the Were-rabbit 2005



Is it streaming?

Wallace & Gromit: Vengeance Most Fowl
It's been 15 years since Wallace & Gromit's last adventure, and Aardman is still on top form with this wildly inventive stop-motion thriller. Absolutely jam-packed with verbal and visual gags, this is a movie to enjoy over and over again, and it's bound to just get funnier with each viewing. Creator Nick Park teams up with protege Merlin Crossingham this time, and the animation and storytelling are exceptionally inventive.
Wanting to help his faithful dog Gromit have an easier life, Wallace (voiced by Whitehead) invents smart gnome Norbot (Shearsmith) to help with the gardening. Or rather, to completely take over, replacing wildflowers with razor-sharp topiary. And now Gromit worries that technology is taking over his life. What they don't know is that, in his zoo-prison, criminal penguin Feathers McGraw has hacked into Norbot, who builds a gnome army to do much more than run Wallace's new Gnome Improvement business. And while Inspector Mackintosh (Kay) is distracted, Constable Mukherjee (Patel) notices something nefarious is happening.
As the plot spins and twists in riotous directions and sideroads that encompass a staggering range of hilarious movie references, it's the character detail that draws us in so deeply. Even without speaking, Gromit is such an expressive figure that it's impossible not to connect with him, feel his frustration and dive all-in with him as he tries to fix the growing chaos, all while the loveably oblivious Wallace carries on. And the clever way the even more minimalistic Feathers is photographed and animated adds a terrific layer of sinister intent.

These films are painstakingly animated frame-by-frame, so the fact that the gags are so impeccably timed is especially impressive. And the action sequences also have a superb life to them, harking back to classic cinematic moments while adding distinctive kicks. So there are heists and chase sequences, marauding armies of gnomes and angry neighbours, all leading to an explosive climactic sequence that plays on everything from the Road Runner to Fast & Furious.

Comedies rarely have so many jokes that so sharply hit the target, mixing silliness with astute satire in ways that continually elicit enormous laughter. So it's the kind of film that's best experienced in a theatre with a communal audience, especially because the big screen also reveals the hand-made nature of the animation itself, from the careful crafting of each prop to the fingerprints all over the clay characters. This is movie magic.

cert u some themes 9.Nov.24

R E A D E R   R E V I E W S

send your review to Shadows... Wallace & Gromit: Vengeance Most Fowl Still waiting for your comments ... don't be shy.

© 2024 by Rich Cline, Shadows on the Wall
HOME | REVIEWS | NEWS | FESTIVAL | AWARDS | Q&A | ABOUT | TALKBACK