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Luckiest Girl Alive

Review by Rich Cline | 3.5/5

Luckiest Girl Alive
dir Mike Barker
scr Jessica Knoll
prd Bruna Papandrea, Jeanne Snow, Erik Feig, Lucy Kitada, Mila Kunis
with Mila Kunis, Chiara Aurelia, Finn Wittrock, Connie Britton, Scoot McNairy, Jennifer Beals, Justine Lupe, Thomas Barbusca, Alex Barone, Carson MacCormac, Isaac Kragten, Dalmar Abuzeid
release US 30.Sep.22,
UK 7.Oct.22
22/US 1h53

wittrock britton mcnairy


Is it streaming?

kunis and wirtrock
Darkly insinuating currents flood through this drama about a woman trying to hold her idyllic life together while confronting a tragic past. Adapted by Jessica Knoll from her novel, the story's packed with topical plot points that add emotive angles. These are important issues and, even if the narrative is drawn out, director Mike Barker's approach has both gripping tension and resonant commentary that deserves to strike a nerve.
In 2015 New York, journalist Ani (Kunis) is engaged to almost-perfect Luke (Wittrock), and her career is on-track. But she has learned to hide her intelligence to survive, and even Luke doesn't know everything about her. After surviving a high school shooting, she never went on the record about her experience, and documentary filmmaker Aaron (Abuzeid) wants to hear her account. Then running into a favourite teacher (McNairy) brings it all back to mind. While she has vowed not to let anyone hurt her again, she also needs to confront her past without flinching.
Flashbacks reveal Ani as a teen (Aurelia) navigating school social circles before enduring sexual assaults from two boys. Now Ani works for a woman's magazine that centres around male pleasure, a vicious irony that isn't lost on her. She's always had a chip on her shoulder as a poor person in a wealthy world, and her lifelong quest for closure weighs her down. The question is if Aaron's documentary will allow her to reveal her truth, or if she'll be further cornered by assumptions.

Voiceovers reveal Ani's duplicitous ways, and Kunis plays her as a strong-willed woman determined to control her narrative, which is understandable given her experiences. Her turmoil feels very real, as does the unhealthy ways she's dealing with it, and that she's still lying about her feelings. Wittrock is strong opposite her, building snappy chemistry even as the script undermines it. McNairy, Britton (as Ani's hyper-critical mother) and Beals (as her editor) add gravitas along the way.

A pungent collision between bullying, rape and gun violence threatens to overwhelm the film, largely because the script never actually grapples with them. But there is honest complexity in the way justice feels so elusive in the aftermath of a violent attack, leading to both confused reactions and a lifetime of doubts, plus triggers that emerge at the most unexpected times. The final act is drawn out and melodramatic, but makes some vivid points, including the note that an approximation of honesty isn't nearly enough.

cert 18 themes, language, violence 2.Oct.22

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© 2022 by Rich Cline, Shadows on the Wall
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