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Performances are subtle, even somewhat hushed, which adds an otherworldly sensibility to the entire film. Kind is an actor who beautifully reflects his inner thoughts on his face, so his superbly nuanced turn is compelling and engaging, even when Felix is doing something he knows is wrong. Blackwell has a more difficult role balancing Anne's struggles with work and home against her realisation of what Auggie means to both her and to Felix.

Yes, there's a lot going on in this film. Retired, Felix feels rudderless, like he has no purpose in life. So this virtual companion focusses his thoughts as well as his need for interaction on various levels. In the final act, the film begins to feel a little mopey, echoing Felix's own journey. But by remaining internalised and thoughtful, it touches on a number of resonant issues, sparking the imagination in ways that surprisingly don't have much to do with the technology.

themes, language

12.Sep.19

Performances are grounded in reality while also being ever-so-slightly arch in a way that heightens the film's sense of mystery. Robidas has an enjoyably hapless quality that makes him deeply likeable. Joel's odyssey takes a couple of rather too-pointed turns along the way, but Robidas keeps him centred, with a sense of humour and a gritty survival instinct. Those around him are rather a lot simpler, with even the shaded characters resolving as either good or pure evil. But most of the actors get to have some fun along the way.

As it continues, the twisty, clever story seems to write itself into a corner, but there are plenty of surprises in store. So even if some of the plot points seem to be rather simplistic, and even if Gorsetman has a tendency to cut away from key moments, the film grapples with ideas of identity, greed and morality in ways that keep our heads merrily spinning from the opening scene right to the increasingly outrageous finale, which blithely challenges the audience to keep up with it.

themes, language, violence

3.Sep.19

Long gives a remarkably compelling performance as a man who is unnerved by his own shadow, and rightly so. It's a terrific lead character for a gifted character actor who often shines in smaller roles (see Ozark). His scenes with Chen churn with submerged lustiness, sharply underplayed by both actors. The way Lily shakes Marcus' fragile state of mind is cleverly played by Chen as a smart temptress. Both actors also bring earthy energy to their roles, suggesting all kinds of unusual textures in their relationship.

The script and direction avoid things that might provide thematic resonance (such as Marcus' other vices or the family's independent wealth). Instead, the focus is on sinister monsters lurking everywhere. Of course, the malevolent creatures are designed to be read as metaphors for guilt, privilege and sexual transgression. As the story progresses, things get increasingly unnerving. But the film also starts to feel rather indulgent, pushing the symbolism a little too far while neglecting to grapple with issues or build some proper terror.

themes, language, violence, sexuality

4.Sep.19