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Good Kids
2/5
dir-scr Chris McCoy
prd Chris Weitz, Andrew Miano, Nicolas Chartier, Dominic Rustam
with Nicholas Braun, Zoey Deutch, Mateo Arias, Israel Broussard, Ashley Judd, Demian Bichir, David Coussins, Julia Garner, Tasie Lawrence, Dayo Okeniyi, Virginia Gardner, Randy Couture
release US 21.Oct.16
16/US Voltage 1h26
Good Kids
Party virgins: Arias, Deutch, Braun and Broussard

judd bichir garner
R E V I E W    B Y    R I C H    C L I N E
Good Kids There's a goofy charm to this comedy, even though it seems to be about 18-year-olds who have stopped developing at around 12. Writer-director McCoy clearly thinks that infantilising his characters is hilarious, so their wide-eyed naivete is the main source of humour, followed by a series of humiliations. The fresh young cast is likeable, but the film feels painfully simplistic.

As they graduate with honours from high school, four friends feel they missed out on being cool. When they get invited to a party by a popular girl (Garner), they decide that this is the "summer of yes" and they'll do all the things they never did: drinking, drugs, sex, relationships. So Andy (Braun) seeks sexual experience with bored housewives before his Indian internet girlfriend (Lawrence) arrives for a visit; Nora (Deutch) falls in love with a hot older colleague (Coussins); The Lion (Arias) perfects his "high chi"; and Spice (Broussard) bakes the perfect souffle.

Performances are broad due to the rather overwritten comedy dialog, but the youthful cast is watchable. Braun manages to keep Andy charming even as his life spirals wildly out of control, while Deutsch just about sells Nora's romantic adventure through each painfully obvious plot point. Arias and Broussard add plenty of energy in less-defined comedy sidekick roles. And both Judd and Bichir have fun chomping on the scenery as a randy housewife and Andy's bulldog-like boss.

For a film full of young people obsessed with sex, there's nothing remotely sexy here (even the kissing is childish). Filmmaker McCoy seems to want to make a raucous gross-out comedy, but this is impossible when he takes such a prudish, moralising approach to everything, which leaves both the characters and situations feeling paper thin. As the plot contrives to make everything go wrong, the film just feels increasingly corny. Frankly, McCoy seems to find the fact that these four kids are heading to America's top universities much sexier than the life experiences they're seeking this summer.

There are some intriguing ideas in this movie, and the lead actors have enough charm to create vivid, meaningful characters. The best point the movie makes is that these nerds were never excluded from a party, they exiled themselves. And the bare bones of the plot show some potential. But every point along the way is painfully dumbed-down. Frankly, this kind of movie doesn't work without a willingness to push boundaries. And McCoy plays it safe right to the end.

cert 15 themes, language, sexuality 19.Oct.16

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© 2016 by Rich Cline, Shadows on the Wall
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