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Get Santa
4/5
dir-scr Christopher Smith
prd Liza Marshall
with Jim Broadbent, Rafe Spall, Kit Connor, Stephen Graham, Jodie Whittaker, Joanna Scanlan, Warwick Davis, Ewen Bremner, Nonso Anozie, Joshua McGuire, Matt King, Hera Hilmar
release UK 5.Dec.14
14/UK Warner 1h42
Get Santa
Christmas in prison: Broadbent and Davis

spall whittaker sw
R E V I E W    B Y    R I C H    C L I N E
Get Santa Clearly it was a great idea to give horror filmmaker Smith (Severance, Triangle) the reins of a family Christmas comedy, because this one is sharper than most. Executive produced by Ridley Scott, it also has a solid cast, better-than-average effects and a raucously broad sense of humour that spans from movie sight-gags to warped innuendo to the requisite poo and fart jokes.

Released prison after two years, Steve (Spall) and his 10-year-old son Tom (Connor) are desperate to see each other, but Tom's mum Alison (Whittaker) wants a family Christmas with her new husband Tony (McGuire). Then Tom discovers a man (Broadbent) in his garage claiming to be Santa Claus and asks Steve for help. Skeptical, Steve goes along with an elaborate rescue mission just to be with Tom. But there are reindeer running loose in London, and after Santa is arrested for trying to liberate them, everything begins to turn suspiciously magical for Steve and Tom.

Much of the plot hinges on one massive coincidence: Santa is sent to the same prison where Steve was held, which drags his fellow inmates (Graham, Davis and Anozie) into the mayhem. And there's an attempt to ground things with a revelation that goes nowhere. Otherwise, the script is tight and witty, with a playfully rude sense of humour and a hint of complexity to the characters. All of the actors dive into their roles and have fun subverting expectations.

Broadbent is a properly jolly presence, managing to make even the silliest sequences enjoyable (such as his lessons in how to act tough in prison). Meanwhile, Spall dives fearlessly into a rather ridiculous role as a man who has to discover his inner child in order to be a better father (and of course to save Christmas). Scanlan provides deranged comic relief as his toad-loving parole officer, while Davis has the scene-stealing role as a short-tempered inmate who certainly is not an elf.

While veering between wacky slapstick and sentimental emotion, Smith manages to strike the right tone, never quite over-egging things. Kids will enjoy the gross-out goofiness and the wish-fulfilment adventure, while grown-ups will probably find the film funnier than their children thanks to a script that's packed with gags aimed far above the youngsters' heads. So even though the movie is essentially yet another "find the true nature of Christmas" movie, it's a lot smarter than most. And perhaps more enduring too.

cert u themes, vulgarity, some violence 15.Nov.14

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© 2014 by Rich Cline, Shadows on the Wall
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