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Indies, foreigns, docs, videos, revivals and shorts... | |
On this page - LLGFF:
THE CHEF'S LETTER |
DAN'S BIG HANDS MR_RIGHT_22 | MY COCK IS A DILDO | SCREENING PARTY SIDNEY TURTLEBAUM | THREE SUMMERS | THE WINDOW < < S H O R T S > > last update 11.Apr.09 See also: SHADOWS FILM FESTIVAL | |
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The Window
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dir-scr Philippe Gosselin, Ronald Regina with Philippe Gosselin, Roger D Klein, Major Mugrage 08/US 6m ![]() |
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27.Mar.09 llgff | |
Mr_Right_22
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dir-scr Reza Rameri with Philipp Denzel, Luc Feit, Michael Baral, Friedemann Thiele, Johannes Richard Voelkel, Benjamin Cantu 07/Germany 12m ![]() | Clever and entertaining, this English-language short from Germany begins with a webchat in which two guys agree to meet up. Adam (Denzel) has sent his photo, but has no idea what Dave looks like, so when he gets to the bar he is unnerved by the thought of who will show up. If anyone. As the designated time passes, he begins to imagine various scary encounters, woken from his daydreams by a helpful, leathery waiter (Feit). Nicely shot and full of sharp observations, the film accurately captures the feeling of a first blind date, and Denzel is a superb everyman for us to identify with. Although at 12 minutes, it's perhaps about twice as long as it needs to be. |
29.Mar.09 llgff | |
Sidney Turtlebaum
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dir Tristram Shapeero scr Raphael Smith with Derek Jacobi, Rupert Evans, Romy Baskerville, Lin Blakley, Francesca Marie Claire, Margaret Stallard, Saul Issroff, Katie Lyons 08/UK 19m ![]() |
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29.Mar.09 llgff | |
Dans Big Hands
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dir-scr Jack Curtis Dubowsky with Daniel Koehler 08/US 4m ![]() | This is a music video for Dubowsky's witty song, an ode to a man's magic hands. We see two guys singing in harmony in near blackness, surrounded by candles, with glimpses of said hands. The lyrics repeat the phrase, "I want to get lost in Dan's big hands," but as the song continues it becomes clear that they mean rather more than it seems, as irony descends over the song and we begin to hear references to sex and violence ("hit me hard") and a tone that suggests an odd mix of joy and pain. The overall result is blackly hilarious. It's warm and moody and strangely creepy. And extremely clever. |
27.Mar.09 llgff | |
Screening Party
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dir Chil Kong scr Dennis Hensley with Dennis Hensley, Erin Quill, Tony Tripoli, Ossie Beck, Nora Burns, Felix Pire, Todd Christian Hunter, Chil Kong 08/US 25m ![]() |
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29.Mar.09 llgff | |
My Cock Is a Dildo
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dir-scr Ester Martin Bergsmark, Emanuel Nyberg with Ester Martin Bergsmark, Emanuel Nyberg 07/Sweden 15m ![]() | An experimental film that essentially suggests that you can use your friends as sex toys, this is a quirky, cheeky, often squirm-inducing collage of clips and images. We see shots of food, scissors trimming body hair, guys sitting on sofas and lots of body-part close-ups. There's also rather a lot of sexual imagery, and an exploration of bodies coming together in various angles, all while using the video camera as part of the sex play. It's an odd film, and for all the sex on display, it's not remotely sexy. But it does capture an attitude of curiosity, and there's a lot of energy on display. |
27.Mar.09 llgff | |
The Chefs Letter
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dir-scr Sybil Mair with Jonathan Firth, Ray Fearon, Layke Anderson, Lauren Steventon 08/UK 14m ![]() |
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5.Apr.09 llgff | |
Three Summers
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dir Carlos Oliveira scr Morten Kirkskov, Carlos Oliveira with Morten Kirkskov, Simon Munk, Stine Schroder Jensen, Carsten Bjornlund, Birgitte Hjort Sorensen, Sarah Boberg 06/Denmark 28m ![]() | Sexy and daring, this Danish short looks at key events over three summers. First is a dinner party Jorgen (Kirkskov) throws for his neighbours, at which the 14-year-old Thomas (Munk) privately confesses that he's gay. Jorgen replies with his own secret: that he's planning to leave his wife (Boberg). The next summer, Jorgen and Thomas meet again and, over rather a lot of alcohol, spend the night together. So of course, when Jorgen throws a party the following summer to introduce his new girlfriend, he's terrified about what Thomas might say. The film plays out with terrific visual style and witty characters who are strongly written and played by Kirkskov and Munk. Director Oliveira creates a jazzy tone that makes terrific use of the evening sunshine and expressive faces, perfectly conveying the moods of the characters. And most remarkable is the relaxed approach to such a controversial subject; instead of being preachy or strident, the film centres on the awkwardness of the situation. Only in Scandinavia would this kind of story feel so offhanded and natural. |
5.Apr.09 llgff | |
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