SHADOWS ON THE WALL | REVIEWS | NEWS | FESTIVAL | AWARDS | Q&A | ABOUT | TALKBACK | |
![]() | |
Indies, foreigns, docs, videos, revivals and shorts... | |
On this page - LLGFF:
ALLEN GINSBERG GIVES GREAT HEAD |
BRAMADERO EVEN IN MY DREAMS | THE JAPANESE SANDMAN | THE FUGATIVES NO STRINGS ATTACHED | SUPERM HIGHWAY | NEUROTICA < < S H O R T S > > last update 29.Mar.09 See also: SHADOWS FILM FESTIVAL | |
![]() | |
![]() | |
The Japanese Sandman
![]() | |
dir Ed Buhr scr William S Burroughs with John Fleck, Stephen Twardokus, Nick Niven, Sam Slovick, Leigh Rose, Amy O'Neill, Ferd Eggan, Keston Ridley 08/US 12m ![]() | An intriguing dramatisation of a letter written from William S Burroughs to Allen Ginsberg in 1953, this witty short film is a sharp examination of the point where addiction and emotion meet. The first half of the letter sees Burroughs (Fleck) in Panama looking for new and more exciting drugs, leering at local boys and flirting with skanky hookers, then typing the hilariously snarky letter. He then adds a postscript that's a nostalgic look at his teen years in St Louis (now played by Twardokus), during which he had an oddly truncated relationship with his best pal (Niven). Shot and edited with intelligence and humour, filmmaker Buhr wonderfully develops and then twists the tone, shifting from the jazzy, noirish Panama to the warmer, more wistful reminiscence of youth. This change is extremely effective, moving from sharply hilarious to deeply emotional while adding some striking subtext about the nature of addiction. The result is entertaining and surprisingly moving. |
27.Mar.09 llgff | |
Even in My Dreams
![]() | |
dir-scr Flavio Alves with Richard Reade, Beau Hauser, Burt Panitz, Celia Howard, Erin Sullivan, David Hodorowski, Maria Justine Henley 08/US 8m ![]() |
![]() |
29.Mar.09 llgff | |
No Strings Attached
![]() | |
dir-scr Alexandre Powelz 07/Germany 20m ![]() | "Sex is easy, but getting a good hug is more difficult." This film profiles a tanned, blond Dutch guy on holiday in Portugal, where he spends his time cruising for sex in the woods along the seafront. He talks frankly to the camera about why he likes anonymous sex, how it works and what it means to him. It's strikingly revealing to hear him compare a random encounter in the woods with a frustrating meet-up in a bar. For him, sex is entertainment, and it's about experience and variety, but not intimacy. Even so, he recognised that no matter how detached these encounters are, they're never shallow. Most insightful are the comments about how this kind of sex can be a "confirmation of your being". The extremely strong camerawork catches some remarkable scenes along the way, including a couple of intimate meetings while strangers watch through the trees. And it's edited together in a way that gets surprisingly deep beneath the surface while still acknowledging the voyeurism and excitement. |
27.Mar.09 llgff | |
Bramadero
![]() | |
dir-scr Julian Hernandez with Sergio Almazan, Cristhian Rodriguez 07/Mexico 20m ![]() |
![]() |
27.Mar.09 llgff | |
Neurotica
![]() | |
dir-scr Nick Wauters with Alex Pakzad, Jorge Ortiz, Michael Padula, Todd Christian Hunter, David Trachtenberg, Ulrich Que, Kevin Cardenas, Leigh Rose 08/US 14m ![]() |
![]() |
29.Mar.09 llgff | |
Allen Ginsberg Gives Great Head
![]() | |
dir-scr X'Ho 07/Singapore 15m ![]() | Shot in two days without any hope of being screened in his own country, this brainy 15-minute short is an odd mixture of political polemic and porn. It's narrated by the filmmaker using quotes from Ginsberg and references to other artists, like Fassbinder and William Gibson, who challenged the status quo and pushed boundaries. These ideas simply have no space to exist in the "idyllic" island nation of Singapore, which suppresses free expression and has the world's highest execution rate. This voiceover is accompanied by images of a lonely young man in his flat, bathing, lounging around naked and masturbating in extreme close-up while quotes from Ginsberg are superimposed on-screen. This is an extremely important topic, and the filmmaker's heartfelt anger is palpable, but the film is rather indulgent and pretentious. |
27.Mar.09 llgff | |
The Fugatives
![]() | |
dir Octavio Chamorro 07/Brazil 13m ![]() | Shot on tacky video like a Latino soap, this lurid, camp mini-adventure is pretty hysterically funny for fans of the genre. It centres on a young guy who steals his mother's money and her car and hits the road with his angry diva boyfriend. Meanwhile, their mothers refuse to believe all evidence that their sons are gay, but head out in pursuit, stopping at the hairdresser for advice and then catching up with the boys when they stop for a cappuccino. A madcap chase ensues that gets increasingly ridiculous. The silly no-budget production values, over-the-top acting and corny action keeps us in fits of laughter. It feels utterly pointless, but actually addresses some fairly serious themes along the way. Not that it pauses to actually deal with them. |
29.Mar.09 llgff | |
Superm Highway
![]() | |
dir-scr Slava Mogutin, Brian Kenny 06/US 6m ![]() | This film consists completely of grainy black and white stills that look like they were shot in a pitch-black room with a flash. There are fragments of narration and dialog, not all of it clear, but we can essentially see what's happening here: an athletic, wiry young guy is in his home, where he's joined by another guy who looks pretty much just like him. Wearing only boots, they have sex as we listen to them talking about what they like to do. Is this a random encounter or do they know each other? Since there's no back-story and no character-building, we have no idea. It's an interesting experiment in filmmaking but, even at just six minutes, it feels overlong and unclear. What is the meaning of the title caption, "On a highway I drive very fast"? Not a clue. |
27.Mar.09 llgff | |
![]() ![]() If you have an film you want me to review - just ASK © 2009 by Rich Cline, Shadows
on the Wall
|