The story centres on the Chopras, a Hindu family in Preston. Only son Jimi (Bisson) has moved out, while Mum and Dad (Massey and Jaffrey) live with his feisty grandmother (Segal). Now it's suddenly time for Jimi's arranged marriage to Simran (Mahal), but he's actually living with his boyfriend Jack (Ash), along with Jack's moody sister Vanessa (Bankes) and her precious daughter (Clayton). So Jimi concocts a series of increasingly dangerous lies to conceal the truth.

We know from the start that it'll all work out in the end. This is a comedy, after all, and even a few strong dramatic scenes can't disguise this. We also know that Jimi's parents are extremely reasonable people, so his ceaseless efforts to throw them off the scent feel horribly cruel and illogical. If he doesn't want to lose his family by telling them the truth, why spin an elaborate lie that's just as alienating?

In addition, the filmmakers seem reluctant to really explore the themes. The relationship between Jimi and Jack is virtually invisible--they rarely look at each other and have virtually no physical contact. Frankly, it doesn't even look like a particularly close friendship! The only reason it works at all is because Bisson and Ash are very engaging actors. But the real star of the film is Bankes, who dares break the rom-com mould by reacting like a normal person would if forced into this kind of charade. Her fury, drunkenness and grumpiness are the funniest and most authentic things about the film.

In the end, this is a lively family comedy about pressures, culture clashes, loyalties--the usual stuff, and without much edge to it. Kalirai directs with a lively visual style, and the dialog is often hilariously manic. When it all gets suddenly serious at the end, it feels both superficial and simplistic. Sweet and touching, but essentially just silly.