Insomnia
4 out of 5 stars
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For his third film, Nolan (Following, Memento) sets out to prove that he can handle a straightforward narrative with this adaptation of the 1997 Norwegian drama and a cast that includes three Oscar winners. The result is a thoroughly haunting and insidious thriller about personal demons and guilty consciences. L.A. cops Will and Hap (Pacino and Donovan) are summoned to rural Alaska to help with a murder case. Back home they're under investigation for shady dealings, but the young local cop (Swank) sees Will as her hero. Which is a bit of a problem when in the course of the investigation Will "accidentally" kills someone. Despite this, and the fact that he can't sleep in the land of midnight sun, Will finds a trail to the murderer (Williams), a creepy man who seems to want to be caught but still engages Will in a deeply disturbing cat and mouse game.

Motives are the thing here, and the film sharply reveals each character (including a number of small supporting roles) in minute detail as the puzzle pieces fall into place. Each person is a bundle of complex emotions and frustrations, dealing with side issues that profoundly affect the central mystery. And every member of the cast is fantastic. Pacino gives an astonishingly internal turn as a man tortured by his conscience, trying to bend the rules without losing his integrity. Or maybe it's too late for that. He knows that there are only two reasons why he can't sleep at night: either he's done something wrong or there's a piece of the puzzle missing ... but which is it? Nolan brings out these ideas with insinuating camerawork, sharp editing, clever music (by David Julyan) and a terrific use of the setting as an integral part of the story. This is a tightly woven film--suspenseful without ever being terribly exciting, a slow psychological burn that grips us with its sheer intelligence, even though it's rather slow and listless. And it's also, at its core, a standard cop drama, complete with the climactic crescendo of violence. But by then we're completely in its spell.

cert 15 themes, language, violence 1.Jul.02

dir Christopher Nolan
scr Hillary Seitz
with Al Pacino, Robin Williams, Hilary Swank, Maura Tierney, Martin Donovan, Nicky Katt, Paul Dooley, Jonathan Jackson, Katharine Isabelle, Oliver Zemen, Larry Holden, Jay Brazeau
release US 24.May.02; UK 30.Aug.02
Warners-Buena Vista
02/US 1h58

Get some sleep. Pacino and Williams finally come face to face as their cat and mouse game heats up.

pacino williams swank tierney
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don't close your eyes send your review to Shadows... "Williams plays a great bad guy, a little bit nuts, an author who has moved to this tiny town in Alaska for no reason that I could figure out. A high school girl is murdered, and there just aren't that many people in this town who could be a suspect - her boyfriend is the obvious; it was known that he had abused her on occasion, he even admits to it, but her best friend informs the police that she had a 'friend' who was going to get her out of this town. Hilary Swank plays Ellie Burr, a local cop who has studied the cases of the legendary Will Dormer (Pacino), and is totally thrilled to be working with him, while Dormer and his partner Hap (Donovan) are totally over confident that they can crack this smalltown case. It is during Alaska's six-month day, the sun never really sets, and Pacino's character can't sleep, no matter how hard he tries - taping his shades, hiding his clock in the drawer, he simply can't sleep - and he starts seeing things. It is a good movie - Pacino plays the haunted 'good guy' well - his conscience is bothering him for several reasons. Williams is pure evil - he always knows the exact time to call - just when Dormer is almost asleep. Maura Tierney plays a nice bit part as a hotel keeper/waitress who hints at having another reason to come to this small town - the halibut capital of Alaska. I really enjoyed the cat and mouse chase in this movie - the actors did a good job and the Alaskan scenery is awesome!" --Laurie T, Minneapolis 1.Jun.02
© 2002 by Rich Cline, Shadows on the Wall

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