| Grateful Dawg | ||||||
![]() | ||||||
This relatively simplistic documentary examines the last five years or so of Jerry Garcia's life and his relationship with his friend and collaborator David Grisman. These two woolly old guys were obsessed with the same kinds of music--"beards of a feather," as one person says--a fusion of rock, folk, jazz and bluegrass in which they largely improvised their way through otherwise well-planned tunes. The film consists of a sequence of musical numbers overlaid with interviews and remembrances, archival tapes and home videos that trace this friendship and the music it created.
As a documentary there's not much going on here; it's not terribly sophisticated, merely repeating the same structure in each segment. It's a straightforward archival film, gathering old footage, photos and recordings together for posterity with nothing but nostalgia for bygone days on its mind. You really find yourself missing any sense of connection with the rest of the music world--even Garcia's Grateful Dead days are only hinted at. On the other hand, the music here is absolutely gorgeous, and the film does capture Garcia in full creative mode, revealing his genius for songs both simple and ornate. Highlights include the witty "kids" song Jenny Jenkins, the Latin-tinged Middle Eastern tapestry Arabia, the video for the funky The Thrill Is Gone and the catchy pop ballad Friend of the Devil. There's some terrific footage here, and some very revealing comments in the interviews that surround it. And while it's entertaining as is, you find yourself wishing a more skilled filmmaker had gone to work with this material and created something really amazing out of it.
|
dir Gillian Grisman with Jerry Garcia, David Grisman, Joe Craven, Jim Kerwin, Peter Rowan, Vassar Clements, Bela Fleck, Rob Bleetstein, Justin Kreutzmann, Dexter Johnson, John Goddard, Steve Parish release US 5.Oct.01; UK 13.Dec.02 Sony 01/US 1h21 ![]() Dawg meets Dead. Grisman and Garcia get the crowd going...
| |||||
Still waiting for your comments ... don't be shy.
| ||||||
|
| ||||||