E.T. The Extra-Terrestrial
Phone home. E.T. and Elliot turn on their heartlights...
The 20th Anniversary
SHADOWS MUST SEE MUST-SEE

one of Shadows' all-time best films dir Steven Spielberg
scr Melissa Matheson
with Henry Thomas, Robert MacNaughton, Drew Barrymore, Dee Wallace, Peter Coyote, C Thomas Howell, KC Martel, Sean Frye, David M O'Dell, Richard Swingler, Erika Eleniak, Frank Toth
reissue US 22.Mar.02; UK 29.Mar.02
Universal 82-02/US 2h00

5 out of 5 stars
R E V I E W   B Y   R I C H   C L I N E
his adventure on earth Forget Schindler and Private Ryan, this is Spielberg's masterpiece, a near perfect film directed with astonishing skill and unafraid to get sentimental ... without crossing the line into syrup. Now Spielberg has returned to the original negative, touching up the special effects with digital technology, remastering the original score and adding back some deleted scenes that help round out the characters a bit better. The result is terrific, not because of the changes (which are virtually invisible), but because the film is back on the big screen after all these years.

It's the story of two lost souls: Elliot (Thomas) is adrift following his parent's separation, while E.T. is an alien botanist whose spacecraft flies home without him. The two get together, discover a psychic bond and have all sorts of adventures as Elliot tries to help E.T. phone home ... and then get there. Along for the ride are Elliot's brother and sister (McNaughton and a feisty, hilarious 6-year-old Barrymore), their independent and worried mom (Wallace), and a scientist (Coyote) who's always dreamed about meeting an extra-terrestrial.

e.t. and rich meet in london, april 2000 Spielberg's direction is so surehanded that it takes the breath away--he knows exactly how to tell this story and never puts a foot wrong, showing us everything from Elliot and E.T.'s perspective and keeping it all much more earthy and realistic than this kind of film would ever be if made today! OK, so there is one shot too many of those bicycles flying in front of the moon or sun. And the ending is relentlessly emotional (just try not to cry!). The plot is old as the hills, eerily familiar and yet utterly fresh as well, drawing on old movies and legends to weave together a deeply moving tale of childhood. Easily one of the best films of the past 20 years--and thankfully its makers haven't tampered with it too much.
suspense, language cert U 24.Feb.02

R E A D E R   R E V I E W S
i'll be right here send your review to Shadows... Still waiting for your comments ... don't be shy.
2002 by Rich Cline, Shadows on the Wall

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