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Trailers and other previews... | ||
C O M I N G S O O N to the UK & US... | O N T H E H O R I Z O N cant hardly wait... |
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3 Jul:![]() ![]() ![]() ![]() 10 Jul: ![]() ![]() ![]() 17 Jul: ![]() 24 Jul: ![]() Sep: ![]() ![]() TBC: * COUNTY LINES ![]() ![]() ![]() ![]() ![]() ![]() C O M I N G U P . . .
N O U K R E L E A S E D A T E . . .
SHADOWS FILM FEST |
NOTE: With cinemas closed in US and UK due to covid-19, MULAN ![]() release US/UK Aug.20 This is the kind of live-action remakes Disney should be doing, retelling the story in a completely new style. Here, an animated romp becomes a full-on action adventure with a powerful female protagonist. Niki Caro was an inspired choice as director, with her ability to combine art and storytelling. And the trailer looks seriously gorgeous too. The 1998 original is one of Disney's underappreciated little masterpieces (apart from that chatty dragon), and this could be even better if it doesn't get too digital. ![]() TENET ![]() release US/UK Aug.20 Once again, Christopher Nolan maintains his fiercely inventive style by refusing to give away pretty much anything about his new movie. All we know is that it's a globe-hopping thriller that involves the ability to manipulate time. Or create time loops. Or something. Nolan is such a precise storyteller that we don't really want to know more than that. As usual, he shot much of the film with Imax cameras, so clearly that's the format we want to see it on as soon as cinemas are open again. ![]() THE NEW MUTANTS ![]() release US/UK 28.Aug.20 Shot more than two years ago, then delayed by both Disney's acquisition of Fox and extensive reshoots, this looks like an interesting new direction for Marvel's X-Men, described as a cross between Stephen King and John Hughes. This certainly tracks with filmmaker Boone, who previously directed The Fault in Our Stars before moving on to King adaptations. And the cast has an intriguing mix of young stars who are also great actors. ![]() A QUIET PLACE PART II ![]() release US/UK 4.Sep.20 The first film was 2018's best break-out surprise, and it didn't scream out for a sequel, so let's hope Krasinski has found somewhere inventive to send these characters. Blunt, Jupe and Simmonds are so good that the idea of watching them do pretty much anything makes this a muse-see, and the trailer hints at some intriguing big twists, plus added Murphy and Hounsou. It's hard to imagine that this will be better than the original, but we can hope. ![]() BLACK WIDOW ![]() release US/UK 6.Nov.20 Marvel finally gives Johansson the spin-off she deserved way back when she first played this character a decade ago. Of course, after the events of Endgame, it's unclear how this movie will fit into the over-arching Avengers story - a prequel? flashback? alternate reality? game changer? Whatever, the presence of powerhouse costars like Pugh and Weisz bodes very well indeed. As does the quirky hiring of Aussie director Shortland, gifted at making wrenching indie dramas. Bring it on. ![]() NO TIME TO DIE ![]() release UK 12.Nov.20; US 25.Nov.20 Making a Bond movie seems to get more complicated year by year, and this one certainly went through some messy gyrations, including a false start with Danny Boyle. But Cary Fukunaga is a terrific filmmaker who should be able to bring something fresh to the franchise, and it will be interesting to see Craig reconnecting with figures from his previous 007 adventures. It's not only about the action - the story needs to be clever and engaging, and the characters just a little bonkers. ![]() ANTLERS ![]() release US/UK delayed This looks like an intriguing shift in direction for writer-director Scott Cooper (Crazy Heart), dipping into creepy horror alongside producer Guillermo del Toro. The low-key cast adds even more interest, avoiding starry leads for actors who are much easier to identify with as things turn seriously creepy in a rural Oregon community. And of course del Toro's visual effects experience clearly comes in handy when the monsters appear. ![]() PROMISING YOUNG WOMAN ![]() release US/UK delayed The trailer for this thriller doesn't give much away, aside from Mulligan's scene-tearing performance as a woman seeking some kind of vengeance against someone who did her wrong. The attitudes look fierce, with a terrific cast of actors given rather a lot to chew on. It's definitely the kind of trailer that makes you sit up in the cinema and take notice. The big question is director Fennell, a writer-actress who is making her feature directing debut. But one of her writing-producing credits is Killing Eve. ![]() Also on my want-to-see list... ![]() Summer: EUROVISION ![]() ![]() THE GREEN KNIGHT ![]() ![]() PENINSULA ![]() ![]() BILL & TED FACE THE MUSIC ![]() ![]() Autumn: THE FRENCH DISPATCH ![]() ![]() Winter: FREE GUY ![]() ![]() TOP GUN: MAVERICK ![]() ![]() Spring: GHOSTBUSTERS: AFTERLIFE ![]() Summer: JUNGLE CRUISE ![]() ![]() Release TBC: ANTEBELLUM ![]() ![]() THE WOMAN IN THE WINDOW ![]() | |
Release dates: British film release schedules are much more fluid than American ones, so please be patient as I try to keep up with UK distributors. I'm working to keep this list up-to-date as they keep trying to outfox me. I'm sure it's personal. Embargoes: Britain's Film Distributors Association asks us to hold reviews until the week of release, and some distributors are even more restrictive. Normally, once the film is shown to a paying audience, either on release or at a festival, the full review can appear on the site. © 2020 by Rich Cline, Shadows on the Wall HOME | REVIEWS | NEWS | FESTIVAL | AWARDS | Q&A | ABOUT | TALKBACK |