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The Simpsons Movie | |||
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R E V I E W B Y R I C H C L I N E |
dir David Silverman scr James L Brooks, Matt Groening, Al Jean, Ian Maxtone-Graham, George Meyer, David Mirkin, Mike Reiss, Mike Scully, Matt Selman, John Swartzwelder, Jon Vitti voices Dan Castellaneta, Julie Kavner, Nancy Cartwright, Yeardley Smith, Harry Shearer, Hank Azaria, Tress MacNeille, Pamela Hayden, Albert Brooks, Marcia Wallace, Joe Mantegna, Tom Hanks release UK 25.Jul.07, US 27.Jul.07 07/US Fox 1h27 ![]() Watch out for that pig: The Simpsons attempt an escape. ![]() ![]() ![]()
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![]() After enduring The Itchy & Scratchy Movie, Homer (voiced by Castellaneta) and son Bart (Cartwright) engage in a series of dares culminating with Bart skateboarding naked through Springfield and Homer adopting a pig. But Homer ignores ecological warnings from his daughter Lisa (Smith) and dumps the pig's droppings into the lake, triggering an emergency reaction from President Schwarzenegger (Shearer) and his environmental advisor (Brooks). Suddenly Springfield is quarantined, and the entire town blames Homer. Even his wife Marge (Kavner) is fed up with him. Fortunately, the plot isn't the main reason we watch The Simpsons. Sure, there's sharp political satire woven in, from the opening Green Day charity concert, which turns hilariously ugly, to the TV newscast about a crisis "so severe that it has its own name and theme music". Plus the continual flow of religion-themed jokes centring on neighbourly neighbour Flanders (Shearer again) and the community church. Fans of the show may be disappointed that so few of the familiar townsfolk feature prominently, as the film stays firmly focussed on the family. And it's here that we find whatever message there may be. Mainly, the film is an excuse to notch up the humour with some witty nudity, language and innuendo, while giving the fans superb animation, classic one-liners, fantastic set pieces and a plot with Michael Bay proportions. Although to be fair, episodes of the series have been even bigger. And while this lack of story ambition might be an anti-climax, the film is still absolutely hilarious, with rapid-fire comedy coming at us from every angle--visual sight gags, raucous dialog, hysterically funny situations, knowing references to that line between TV and film, and more throwaway jokes than you'll be able to spot with one viewing. And all of this continues from the opening Fox logo right through the closing credits. We really don't want it to end. And lucky us, after nearly 20 years, it's still going strong on television.
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Russell Drury, Cambridge: | |||
© 2007 by Rich Cline, Shadows on the Wall
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