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Hostel | |||
R E V I E W B Y R I C H C L I N E |
dir-scr Eli Roth with Jay Hernandez, Derek Richardson, Eythor Gudjonsson, Jan Vlasák, Barbara Nedeljakova, Jana Kaderabkova, Jennifer Lim, Paula Wild, Lubomir Silhavecky, Petr Janis, Rick Hoffman, Takashi Miike release US 6.Jan.06, UK 24.Mar.06 05/US Lions Gate 1h35 Visiting the brothel: Hernandez, Gudjonsson and Richardson | ||
Three years later, Roth follows up his inventive Cabin Fever with another bracingly outrageous horror movie. There isn't really much suspense or scariness in this film, but it is seriously nightmarish.
Paxton and John (Hernandez and Richardson) are chucklehead Americans travelling around Europe before settling down to university studies. Along the way they pick up an Icelandic buddy Oli (Gudjonsson), and while wallowing in sex and drugs in Amsterdam, as you do, they hear about a mythical hostel in Slovakia full of oversexed women. Once there, they immediately hook up with two porn-star beauties (Nedeljakova and Kaderabkova). Then Oli goes missing. And they find themselves caught in a brutal underground world of torture and death. Roth has lifted another shocking idea right from the news, and when he finally gets around to revealing exactly what's going on here, the film becomes much more than the exercise in gratuitous sex and violence that has gone before. Although by then such a major plot point feels like an afterthought since we've already been subjected to scene after scene that play out like some fanboy's Hustler-meets-Fangoria fantasy. The film's first half is a rather astute look at Americans abroad--engaging and likeable but completely clueless about the real world and over-enthusiastic about discovering things that are new to them, but everyday life for everyone else. Hernandez and Richardson are terrific in these scenes, even when weaving in their rather trite back-stories, and Gudjonsson adds hilarious energy as the wacky Icelander. Then Roth starts introducing quirky, shady characters, conspiratorial glances and, eventually, unspeakable horror. And this is slickly produced, skilfully directed horror, rather similar to the Aussie nightmare Wolf Creek in structure and tone. It's completely over-the-top in its depiction of suffering and murder, although most of the violence is actually off screen. It does get under our skin; when characters make dangerous/brave decisions, we want to yell, "What are you doing, you idiot? Get out of there!" Sure, this is unnecessarily vicious grisliness, but it still makes us squirm. And when we finally learn the reason, we may want to revise our holiday plans.
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danny phillips, uk: "i'm not sure these guys dig deep enough into the depths of what truly is dark and disturbing - dirty hallways, creaking doors, and a few old tools, masks and deep voices. are such acts commited in such obvious surroundings? i think the director has obviously been too influenced by echoes of past horror film cliches, trying too hard to perfect these ideas and simply not dig deep enough into his own mind. The dialouge is predictable. shame! i should have made it." (20.Mar.06)
Marky Mark, New jersey: "While the Movie was made well, and the acting convincing, especially hernandez. Most Viewers asked, whats the purpose? Killing people for a thrill, committed by the rich? You mean rich people, will surrender thier souls, and possible livelyhood, for a thrill kill? wouldn't it have been better if the plot was about people paying to see it done. like in snuff movies, then maybe we wouldn't walk away saying OK what was that all about." (2.May.06) | |||
© 2006 by Rich Cline, Shadows on the Wall
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