Selected short films seen at the BFI's 19th London Lesbian & Gay Film Festival, Mar-Apr 2005 REVIEWS BY RICH CLINE
Post Mortem
dir-scr Eldar Rapaport •
with Murray Bartlett, Daniel Dugan, Francisco Valera, Jeff Rynkiewicz
04/US 16m
This beautifully shot film combines a sexy story with an emotional theme that's surprisingly involving. It opens as two ex-boyfriends (Bartlett and Dugan) meet up for coffee to catch up on their lives. Both have moved on, but the old spark revives itself and they can't help flirting shamelessly. Although they resist temptation there and then, a thought lingers in their minds and they just have to meet up again, don't they? The acting is superb--subtle and telling, letting us see the old connections firing back up. In the end the film is also quite raw and real. A superb short. (6.Apr.05)
See also: this short revisited • the feature version AUGUST (2011)
Hitch Cock
dir-scr Stuart Vauvert • with Matthew Sutherland, Fiona Jurd, Jacqueline Archer, Vincent Simon, Kerry Dawson, Michael Drummond
05/Australia 10m
This zany homage/spoof has everything from severe camera angles to a soaring Hermann-esque score, including a few swirly effects. It basically throws in every Hitchcock pun imaginable while telling a story of a man (Sutherland) who is helplessly obsessed with the male member during a dinner party thrown by his Princess Grace-like wife (Jurd). This is deeply silly, full of corny jokes and very, very rude! And even though it's complete overkill, it will make you laugh. (6.Apr.05)
Ryan's Life
dir-scr Nick Wauters •
with Alex Pakzad, Marc Imme, Kyle Whisner, Emily Coddington, Meghann Bivens, Matt Laughery, Lois McKinney, Gina Moore, Perry Smith
04/US 24m
This sit-com length short is a cute coming out tale about a 16-year-old (Pakzad) trying to figure out whether or not he's gay. It's party done as a video diary with Ryan talking straight to camera, intercut with scenes with his best friends (Whisner and Coddington), brother and sister (Laughery and Moore), mother and grandmother (Smith and McKinney) and the cute shop clerk (Imme) who -- shock horror! -- invites him out for coffee. Loosely based on the director's own experiences, the film has the feel of a comedy pilot, and indeed that's what it originally was. But it's far too obvious on every front to really work. The script is overwritten and weighed down with cliches; the acting is over-the-top and corny. There's a terrific story at the core, along with some real truths that deserve to be told. But in order to really hit the mark, it needs to be told with a much lighter touch. (6.Apr.05)
Let the Good Times Roll
dir Harry Dodge • scr Stanya Kahn •
with Stanya Kahn
04/US 16m
There's a Blair Witch veritÈ thing going on here, as we cut back and forth between two sequences, both shot on home video by someone we never see. One half is out in the desert, where wind nearly obscures the sound and Kahn is trying to figure out where she needs to be for something or other. "Is this where the shuttles land?" she keeps asking as she wanders around lost. The other half is Kahn in a room talking to camera, sort of narrating a story but constantly off on tangents about Kurt Cobain and the fact that April is the biggest month for suicides -- a rambling stream of consciousness that takes in various types of sex, drugs and even alien probing. It's very oddly edited back and forth, and it's extremely elusive until the very end. But the stories she tells are quite funny, and there's something bizarrely engaging about it all. (6.Apr.05)