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The Chronicles of NarniaThe Lion, the Witch and the Wardrobe | |||
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| R E V I E W B Y R I C H C L I N E |
dir Andrew Adamson scr Ann Peacock, Andrew Adamson, Christopher Markus and Stephen McFeely with William Moseley, Skandar Keynes, Georgie Henley, Anna Popplewell, Tilda Swinton, Jim Broadbent, James McAvoy, James Cosmo, Kiran Shah, Patrick Kake, Elizabeth Hawthorne, Judy McIntosh voices Liam Neeson, Rupert Everett, Ray Winstone, Dawn French release UK 8.Dec.05, US 9.Dec.05 05/NZ Disney 2h20 ![]() A ray of hope: Popplewell, Moseley and Henley (above); Aslan with Keynes
See also: INTERVIEW WITH DIRECTOR ANDREW ADAMSON
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Talk about long-awaited. This is based on the first* book in the second most popular series in history (Harry Potter holds the title). And the filmmakers have gone for broke, combining spectacular imagery and rousing energy. Although it's perhaps a bit overdone.
In WWII London, the four Pevensie children--Peter, Edmund, Susan and Lucy (Moseley, Keynes, Popplewell and Henley)--are evacuated to the countryside to escape the Blitz. While playing hide and seek in their isolated manor house, Lucy stumbles through a wardrobe into the land of Narnia, kept in perpetual winter by an evil witch (Swinton). Soon all four children are caught up in an impending battle between the witch and her nemesis Aslan the lion (voiced by Neeson). CS Lewis' seven Narnia novels are a marvel of imagination; this episode is packed with all manner of beasts straight out of mythology, plus a classical storyline as old as time itself. It's a bundle of intriguing characters, tense situations, lively action and fateful events. And it utterly grips the child inside us, taking us on a remarkable adventure through filmmaking artistry. Most of the animation is stunning, although like the Star Wars prequels you get the feeling that much of the film was shot against a green screen. The characters themselves are slightly dull (frankly, you expect more spark from the director-cowriter of Shrek). Sure, each has his or her personality quirks, but the child actors aren't mature enough to add subtext or depth, and that's even harder to do with an animated lion. This leaves McAvoy's faun Tumnus and Swinton's spiteful witch as the most vivid characters. Fortunately, Lewis' story is compelling and resonant enough to transcend this. The real problem is that everything is slightly inflated. The battles are too big, the sets over-designed, the costumes rather too costumey, the wardrobe itself positively hulking. This twee hyperbole won't stop a child from falling in love with this world, but it prevents the film from being a proper classic. Although it's still a seriously great story with powerful themes. Which you really must see.
* The Lion, the Witch and the Wardrobe may be the second book chronologically in the Chronicles of Narnia, but it was actually the first book Lewis wrote and published, in 1950. The Magician's Nephew was written sixth, as a prequel, and published in 1955. | |||
Lee, Malaysia: "It was good - very faithful to the book. The magic was beautifully rendered and there were plenty of funny and touching moments - especially one involving Edmund and a coat. That was the good part. Now here come my gripes: (1) The cliches. The scenery and the white witch's army looks like a re-run of Lord of the Rings. Aslan looks like a lion, which is fair but I would have preferred that they make the lion a little more stylized so that we can at least distinguish it from any other lion. (2) The script. The movie follows the book quite closely but I was hoping that the characters would talk more so that we can get a better feel of them. The dialog many times came across as stilted, especially in the battle scenes. I mean, do children really talk and act so stiffly in the heat of battle?" (6.Dec.05)
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© 2005 by Rich Cline, Shadows on the Wall
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