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A Way of Life | |||
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R E V I E W B Y R I C H C L I N E |
dir-scr Amma Asante with Stephanie James, Nathan Jones, Gary Sheppeard, Dean Wong, Sara Gregory, Brenda Blethyn, Oliver Haden, Victoria Pugh, Lynsey Richards, Amy Morgan, Ri Richards, Nicholas McGaughey release UK 12.Nov.04 04/UK 1h30 ![]() Mother and child: James (and baby Rebecca) ![]()
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![]() In the Cardiff suburbs, Leigh-Anne (James) is a teenager with a baby, trying to make a go of life in her own home, even though she has no fridge and the electricity has been cut off again. Her "family" consists of three guys living in a nearby squat: her sensitive brother Gav (Jones) is in love with the girl (Gregory) across the road, the energetic Robbie (Sheppeard) is trying to find his inner Welshman, the confused Stephen (Wong) is rejecting his ethnic roots. In this depressed and difficult situation, blind hatred and blame is sure to erupt in violence. There's a sense of hopefulness in these characters, even as they're driven to desperate survival methods, which in turn creates a deep sense of paranoia and mistrust. As an examination of the nature of hate crime--and working class racism in general--this is enlightening and terrifying. But writer-director Asante is merely observing here, not offering any alternatives. She isn't quite simplistic enough to blame society for the behaviour of these young people; their personal choices are the key turning point in their lives. The young cast is superbly natural and real. These are not likeable people in any way--obnoxious, over-reactive, narrow-minded and bearing enormous chips on their shoulders--the wasted-life kids we see every day on the streets. James is especially good, actually generating moments of sympathy even though Leigh-Anne is the worst of the lot! And the two main adults (Blethyn as Leigh-Anne's nasty "mother-in-law", Haden as her bothered neighbour) are also excellent. Meanwhile, Asante directs with a strong visual sense that looks both gritty and beautiful. This is astute writing and directing, cleverly capturing subtle nuances of British society and dipping into the rough end of culture in a telling, chilling way. So it's not surprising to find that beneath the youthful energy, the film is almost unbearably sad. And harrowing.
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![]() ![]() ![]() David, UK: Lesley Oxley, Shropshire: | |||
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