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Shaun of the Dead | |||
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R E V I E W B Y R I C H C L I N E |
dir Edgar Wright scr Simon Pegg, Edgar Wright with Simon Pegg, Nick Frost, Kate Ashfield, Lucy Davis, Dylan Moran, Penelope Wilton, Bill Nighy, Peter Serafinowicz, Rafe Spall, Jessica Stevenson, Martin Freeman, Mark Donovan release UK 9.Apr.04, US 24.Sep.04 Universal 04/UK 1h40 ![]() Attack of the zombies: Pegg and Frost strategise (above); Davis, Ashfield, Moran, Pegg, Wilton and Frost try to blend in (below). ![]() ![]() ![]() ![]()
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![]() Shaun (Pegg) is happy with his life, but he's about to discover its complete and utter pointlessness. His job in an electronics shop is going nowhere, his girlfriend Liz (Ashfield) is about to break up with him, and his best friend/flatmate Ed (Frost) is a first-class loser. In his newfound misery, it takes him a while to notice that people around him are turning into flesh-eating zombies. Eventually he and Ed devise a plan to rescue Liz, along with Liz's flatmate and her annoying boyfriend (Davis and Moran), as well as Shaun's mother and stepdad (Wilton and Nighy), and hole up in the local pub. But it doesn't go very smoothly. It's in the set-up that this film wins us over. Pegg and Wright brilliantly send up both the zombie genre and British society by showing how mindless everyday life is--there are zombies all around us! Then as the undead start appearing around the edge of the film, it takes on a goofiness that's absolutely sublime. The film is full of inventive touches, from witty red herrings to the lethal use of household objects. The filmmakers even avoid the obvious pitfalls, keeping the script smart and playing on the stereotypes like the lovable lout, obnoxious nerd, airhead mum and reluctant hero. All are better written and played than we expect;there are even moments of honest drama that catch us off guard. The film is also very cleverly shot and edited, with snappy musical choices that build to an hysterical zombie attack accidentally choreographed to a blaring jukebox. This is one of those memorable films that generates hours of post-viewing arguments about which bit was the funniest. So it's a slight pity that the final act becomes a by-the-books horror movie. But with the razor-sharp attitude that went before, we can forgive the filmmakers for losing their bite.
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Nick B, Cornwall:
Matt Nation, Bath UK: N.V., The Netherlands: | |||
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