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Ladies in Lavender | |||
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R E V I E W B Y R I C H C L I N E |
dir-scr Charles Dance with Judi Dench, Maggie Smith, Daniel Bruhl, Miriam Margolyes, Natascha McElhone, David Warner, Freddie Jones, Clive Russell, Toby Jones, Jack Callow, Gregor Henderson-Begg, Tom Hill release UK 12.Nov.04, US 29.Apr.05 Scala 04/UK 1h48 ![]() Suspicious minds: Dench, Smith and McElhone ![]() ![]() ![]()
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![]() Ursula and Janet Widdington (Dench and Smith) are aging sisters enjoying their isolated life in 1930s Cornwall, but their idyll is jolted when a young man (Bruhl) is washed ashore near their home. While nursing him back to health, the ladies discover an affinity for young Andrea, a gifted Polish violinist on his way to America. But the village isn't used to visitors, and everyone's a bundle of suspicions, repressions and jealousies. Especially when Andrea develops a friendship with a visiting painter (McElhone). Cute without being precious, moving without being sentimental, this delicately balanced film really gets under our skin with characters who are never remotely simplistic. The soulful Ursula's growing crush on this young man is beautifully played by Dench. Smith brings a very different level of clinginess to the more proper Janet. And Bruhl's offhanded, charming rawness is reminiscent of Ewan McGregor. Around this trio, Margolyes has an eye-rolling ball as the ladies' irritable housekeeper, Warner is a bundle of conflicting emotions as the helpful-hopeful-vengeful local doctor, and McElhone is a lovely, floaty alien presence. Thankfully, not a single character goes where you expect them to. This is such an accomplished film that it's a surprise to find it written and directed by a first-timer: the actor Charles Dance. He draws out layers of humour and warmth then balances them with bitter doses of resentment and mistrust. Character interaction is often almost subliminal; these sisters have clearly lived together too long, yet they never boil over into hysterical movie-type behaviour (although they come close!). Similarly, the plot has a terrific sense of growing dread that never erupts into a contrived climax. Meanwhile, Dance establishes the gorgeous setting and period in lyrical ways that never prettify anything. It's a film about the dangers of either rejecting or grasping too tightly to whatever's new and unexplained. So very, very English.
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![]() ![]() ![]() Duncan Franks, North London: C Fitch, Cheshire: Lois and Ed, Santa Barbara: "It includes two of our favorite actresses, some of our favorite countryside and coastline, and one of our favorite violinists (Joshua Bell). How could it miss the mark? Only by fuzzing up the story with sex, violence and mush--which it didn't do! The movie moves along with strength and flow as the images, music, and relationships develop in layers that make them so real and powerful. Judi and Maggie were magnificent in their abilities to enhance each other and bring out the best in both without competing for top place. The music was perfection itself and made you feel that you had been a part of a wonderful expression of the depths and love within a human soul." (28.May.05) | |||
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