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Dead Man’s Shoes | |||
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R E V I E W B Y R I C H C L I N E |
dir Shane Meadows scr Shane Meadows, Paddy Considine with Paddy Considine, Gary Stretch, Toby Kebbell, Paul Sadot, Neil Bell, Paul Hurstfield, Jo Hartley, Seamus O'Neal, George Newton, Stuart Wolfenden, Emily Aston, Andrew Shim release UK 10.Oct.04, US 12.May.06 04/UK 1h26 ![]() Getting even: Considine ![]() ![]()
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![]() After seven years away, Richard (Considine) has come back to his Midlands hometown with vengeance on his mind. With his simple-minded brother Anthony (Kebbell) at his side, Richard tracks down Anthony's old cohorts one by one and taunts them with his intentions. He's clearly planning to murder them all, although we're not really sure what these chucklehead drug users and their thuggish leader (Stretch) have done to deserve death. Richard's ruthless and gleefully inventive approach is extremely disturbing--no two are dispatched in the same way. Meadows establishes a melancholy tone right at the beginning that implies something more soulful is going on here. So when it shifts into a slasher film we feel almost betrayed. Especially since it's not until the very end that we find out the reason for Richard's tenacity. The film looks superb--working class grimness with grainy flashbacks and offhanded, often muttered dialog. There are moments of comedy as well, such as when Richard paints the thugs in their sleep or appears in a gas mask to taunt them. But when he starts killing them, we're simply not sure what they've done to Anthony! And when we eventually find out, it's a bit of an anticlimax. Meadows cleverly builds the tone--humour, fear, paranoia, a sense of doom and a deep desire to survive. And Considine is especially good, again pouring himself into the character inside out. Richard is utterly believable in his quietly controlled rage--a nice guy gone mad. That said, without understanding his motive it's impossible to sympathise with him, especially as the murders get far too gruesome. No matter what the cause, no one deserves this! Around him, the whole cast is excellent, bracingly natural and authentic. But the ending feels like a desperate attempt to inject some emotion into the film. And it just doesn't work.
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![]() ![]() ![]() Roddy, Stirling: mike read, houston tx: daniel webb, newport S Wales: rennie, nottingham: | |||
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