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Unfortunately, we never have any doubt what will happen, because it's clear that this is a Hollywood movie from the beginning, so no one is really in jeopardy ... except perhaps one of the obnoxious side characters (kapow!). Schumacher injects lots of stylish flourishes both in the camera work and the editing, and Farrell acts his socks off, but we're never remotely worried. This isn't to say it's boring; the twists and histrionics keep us entertained, especially as Sutherland goes so far over the top vocally that you wonder if he thought it was a spoof (everyone else takes it so seriously it hurts). Attempts to make the plot Deep and Meaningful with examinations of personal ambition, fidelity and communication are pretty superficial, really. The surrounding cast doesn't have much to do at all, but Farrell holds the centre of the film very well indeed (although his accent is more than a little wobbly). Like most of Schumacher's work, this film is slick and relatively efficient, but not remotely as good as it thinks it is.