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House of Sand and Fog
3½ out of 5 stars
R E V I E W   B Y   R I C H   C L I N E dir Vadim Perelman
scr Vadim Perelman, Shawn Otto
with Jennifer Connelly, Ben Kingsley, Ron Eldard, Shohreh Aghdashloo, Jonathan Ahdout, Frances Fisher, Kim Dickens, Carlos Gomez, Frank Gallegos, Navi Rawat, Ashley Edner, Kia Jam
release US 19.Dec.03; UK 27.Feb.04
DreamWorks
03/US 2h06

Threats and counterthreats: Kingsley, Eldard and Ahdout.

connelly kingsley eldard

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BEN KINGSLEY

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House of Sand and Fog This intense drama is powerfully moving, with five devastating performances. Yet it could have been even more compelling with a less heavy-handed approach to the material. On the Northern California coast, Kathy (Connelly) is at the end of her rope. Her father has died, leaving her the family house, then her husband abandons her. And then the county repossesses her house due to a bureaucratic error. Local cop Lester (Eldard) takes helps her out and then falls into an affair with her, while trying to find a way to get the house back. But at a county auction, the house is bought by Behrani (Kingsley), an Iranian immigrant desperate to improve life for his wife Nadi (Aghdashloo) and teen son Esmail (Ahdout). When the error becomes apparent, he resists selling the house back at the absurdly low auction price. A standoff ensues. And we know it's not going to end well.

This is a clever twist on the American dream, with honour and ambition among the immigrant family contrasted against the stunned desperation of more established residents. But these are complex, intriguing actors who never allow the obvious parallels and symbolism to overwhelm their characters. Kinglsey is the standout with a heartbreaking performance that combines stoicism and heart with a haunted guilt about his past and hope for his future. The central five characters are brilliantly developed by the actors and the script, captured on screen with solid filmmaking skill. These are fascinating people; we can identify with all of them in some ways, even though none are very sympathetic. They're all frightened, stubborn, insular and ultimately deeply irrational. And this is where the story's flaws start to show, because without one slightly too-hotheaded character a resolution could have been easily found. As a chain of events are set in motion, it becomes clear that hysteria is going to wreck any chance for peace around this house. And while this unravels the film to a certain extent, especially combined with the unsubtle ways director-cowriter Perelman states his case, it also adds a layer of global-political meaning that's really scary.

cert 15 themes, language, violence, brief sex 2.Dec.03

R E A D E R   R E V I E W S
send your review to Shadows... House of Sand and Fog DR Kennedy, Palmdale, California: 4 out of 5 stars "A well-done and faithful film adaptation of the Andre Dubus III book. Jennifer Connelly is excellent as Kathy, Ben Kingsley is outstanding as Colonel Behrani, and the supporting players are all good too. The strength of the film was making me care about characters who aren't very likable. In a movie like American Beauty (a film I loathe), I was presented with hateful characters whom I hoped would all be wiped out by an asteroid. The characters here are no less troubled or flawed, but their respective plights aren't displayed so that the audience can feel morally superior. They're people whose dreams have become (or are becoming) nightmares, and we care about the resolution of their stories. It is a difficult film to watch, since there is plenty of tragedy to go around by the film's end. But I recommend it for its intelligence, great acting, and for its sympathetic handling of extremely imperfect people." (23.Dec.03)
© 2003 by Rich Cline, Shadows on the Wall
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