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While it sounds like a treatise on the plight of women in the 20th century, the film isn't like that at all. It's actually much more universal than that, tapping into ideas and feelings everyone shares--about where we fit into the world, the good and bad compromises we make, the key moments in which we make life-changing decisions. Every single cast member delivers a stunningly powerful performance, and as they meet and interact, each scene generates almost overwhelming emotional energy. It's impossible to pick a standout; even the side characters are played with revealing transparency. Daldry directs it sharply and cleverly, building parallels between the periods and the characters. Sometimes it's a bit too clever and tidy, but the raw feelings are so real that it doesn't matter. There's a sweeping arc to the overall plot that is delicately handled in the details of each character and situation. Richly layered with meaning, this isn't an obtuse art film either. It's a forceful examination of the strains of the personality against society's pressures, about expectations and disappointments, about finding the strength not only to go on but also to see real joy in everyday life. This is one of those rare films that satisfies both technically (expert editing, astonishing makeup, gorgeous production design) and artistically (intricate script, impeccable acting, insightful direction, lush music) ... and has the power to move you profoundly.

Cornellius Willliams, Cornwall: "Ooh very snazzy! Eileen Atkins stole the show!" (3.Oct.03)

Robert, New York: "A powerful masterpiece, directed by theatre master Stephen Daldry. It stars three of the best, most diverse and accomplished actresses of our time: Nicole Kidman, Meryl Streep and Julianne Moore. Moore, in my opinion, gives the best performance of the film. Also, it has the distinction of showcasing the finest ensemble cast of the year (including Ed Harris, Stephen Dillane, Allison Janney, Claire Danes, Jeff Daniels, Miranda Richardson, Eileen Atkins, Toni Collette and newcomer Jack Rovello). Based on Michael Cunningham's brilliant novel (which happens to be one of my favorites), and the haunting screenplay is written by David Hare. I was amazed by every minute of this glorious film." (14.Nov.04)