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The film does well to focus on the more grown-up conflicts, leaving the younger kids' plots and antics to explode from time to time in well-staged set pieces. Some of this is quite hilarious (mostly the scenes where Kutcher is the butt of the joke), and the film only strains when it tries too hard to be heartwarming or meaningful. Martin is wonderful when he plays it straight--bringing out the wry wit in the dialog--but he's terrible at the broad physical comedy. Hunt is excellent as usual, providing the film's sharper moments. And the older children get decent characters (Perabo's independent young woman, Welling's brooding jock, Duff's fashion-obsessed teen), while the younger ones blend into a gelatinous mass with a few standouts here and there. Really, the main problem is a script that exists in a fantasyland where the worst thing a child ever does is to let his frog loose at breakfast time. Reality would be a whole lot grittier than this soft, silly movie. And perhaps a nod in that direction--along with a slight avoidance of so much sloppy syrup--would have helped.