Long life. An ond man remembers all the things he could (and couldn't) do in his youth...
At the centre is an old man in London (Healy), swirling in his fading memories, from his childhood in Ireland to the day he crossed over to England to find work, through his romances, friendships and family relationships. And most importantly, through his work ... through the things he could (and couldn't) do. Key figures include his cousin PJ (Rea), wife Maggie (Kennedy), best pal Francie (Coyle), mother (Burke) and brother Joe (Liam O'Maonlai).
This is all woven together like a moving painting; it's rare that there aren't at least two images overlapping on the screen, often a memory laid over the man's present. And to achieve the texture, director-writer Bruce uses dissolves, morphs, creative transitions, varying colour depth, film and video, repeating imagery and a delicate sound mix. There are some very moving and quite disturbing sequences, most notably as he remembers a lost brother and an unsettling grave-digging incident. The overall effect is hypnotic, putting us in the old man's shoes as he picks his life apart. But it's also rather alienating as well. We never see him interacting (it's always either subjective camera work or an overlapping image of the old man where his younger self would be), so we can never quite identify with him personally. And the repetitiveness is extremely wearing--after about 10 minutes we start thinking the whole film can't be like this! But it is. And in many ways it's lovely and fascinating and surprisingly poignant. Even if it never really touches us.
[themes, language] 1.Aug.00
UK release 27.Oct.00
Winner: Don Quixote Award (best film), Bratislava 00.
