How the Grinch Stole Christmas
dir Ron Howard • scr Jeffrey Price, Peter S Seaman
with Jim Carrey, Taylor Momsen, Jeffrey Tambor, Christine Baranski, Molly Parker, Bill Irwin, Clint Howard, TJ Thyne, Lacey Kohl, Nadja Pionilla, Mindy Serling, Anthony Hopkins
release US 3.Nov.00 • UK 1.Dec.00
Universal 00/US 3½ out of 5 stars
Review by Rich Cline
Cheermeister. The Grinch wins the honour of leading the Whoville Christmas Who-bilation ... they should've known better (l to r: Baranski, Carrey, Tambor).
Filmmakers have wanted to make live-action versions of Dr Seuss' wacky, imaginative stories for years; fortunately, his estate held off until the technology was in place to do it justice. And while this big-budget Hollywood production can't come close to the charm and artistry of Chuck Jones' animated 1966 Grinch masterpiece, this ain't half bad. Jim Carrey dons green fur as the Mean One, now given a back story as a little boy bullied by the other Whos down in Whoville for being different. So he runs off to live in festering exile atop Mt Crumpet and plan his revenge: sabotaging the Whos' favourite holiday.

Two things make this film work: First, the effects team and art department go hog wild, creating a fully developed world that looks fantastic and operates on its own outlandish rules. Every scene is eyepopping and fascinating, filled with tiny witty details that are never on screen long enough to become obvious. And the film's second gift is Carrey, still oddly recognizable despite the thoroughly engulfing costume and otherworldly physicality. He's so perfect for the role that you can't imagine anyone else doing it--combining gleeful vileness with a dormant conscience. The expansion of Cindy Lou Who's (Momsen) role works very nicely, but Hopkins' narration is a strangely strangled and worthy (Carrey should have done it himself). Of course Tambor and Baranski are wonderful as the small-minded mayor and the girl the Grinch lost to him. The humour has a terrific anarchic quality that keeps us chuckling (and includes plenty of gags for the grown-ups), and the whole thing only disappoints when it starts sinking in syrupy sweet sludge at the end. But there's more than one excellent message lurking in here, and none of them are clubbed over our heads. Definitely worth adding to the Christmas movie pantheon, but not at the expense of the original.

[PG--innuendo, some vulgarity] 27.Nov.00

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