Get Over It
Play it, Sam. Kelly and Berke (Dunst and Foster) practice for the big play...
dir Tommy O'Haver
scr R Lee Fleming Jr
with Ben Foster, Kirsten Dunst, Colin Hanks, Melissa Sagemiller, Sisqo, Shane West, Martin Short, Swoosie Kurtz, Ed Begley Jr, Zoe Zaldana, Mila Kunis, Kylie Dax
release US 9.Mar.01; UK 8.Jun.01
Miramax
01/US 1h27

3 out of 5 stars
R E V I E W   B Y   R I C H   C L I N E
Director Tommy O'Haver here proves that the nearly overpowering charm of his debut Billy's Hollywood Screen Kiss was no fluke, as he fills this teen rom-com with wit, energy and sweet silliness. It's also quite a bit more intelligent than most films in the genre. Basketball jock Berke (Foster) has just broken up with the girl of his dreams Allison (Sagemiller), whom he's had a crush on since preschool. His friends (Hanks and Sisqo) try to cheer him up, to no avail, so he sets out to win Allison back, even though she's now fallen for a former boyband member (West). To get her back, Berke auditions for the school play--A Midsummer Night's Rockin Eve, Shakespeare tampered with by the ambitiously vain drama teacher (Short). And since he has no skills at musical theatre, he enlists his best pal's kid sister (Dunst) to help him learn to sing and dance. And since she's his best pal's kid sister, he hasn't quite realised that (a) she has a crush on him and (b) she's drop dead gorgeous.

Yes, the plot is completely predictable, using the high school Shakespeare angle instead of the high school prom thing. But O'Haver and his cast have so much fun with the material, from the opening credit scene in which the entire town, singing Love Will Keep us Together, follows the heartbroken Berke down the street ... to the play's opening night, which almost reaches Springtime for Hitler levels of hilarious awfulness. The fresh cast dives in to their roles with brio, and the oldsters hold their own, most notably Begley and Kurtz as Berke's far-too-liberal parents, and Short, who steals the film with yet another unforgettably brilliant comic performance (every tiny nuance is absolutely perfect). This isn't a great film--it tries too hard to jump on the toilet humour bandwagon (some works, most doesn't) and there are just a few too many fantasy sequences trying to blur the lines between the play and real life. But what wins out here is, pure and simple, the film's bright, rhythmic, goofy teen spirit.
themes, language, vulgarity cert 12 5.Jun.01

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"A perfect TGIF movie. Martin Short is hysterically funny. That smile would scare piranhas ... utterly brilliant, and he actually brought depth to the character!" --Dave S, London 9.Jun.01
© 2001 by Rich Cline, Shadows on the Wall

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