Captain Corelli’s Mandolin |
![]() Love and war. Pelagia and Corelli (Cruz and Cage) face a rather tricky romantic entanglement. | |||
SHADOWS ![]() dir John Madden scr Shawn Slovo with Penelope Cruz, John Hurt, Nicolas Cage, Christian Bale, David Morrissey, Irene Pappas, Piero Maggio, Patrick Malahide, Viki Maragaki, Gerasimos Skiadaresis, Aspasia Kralli, Joanna-Daria Adraktas release UK 4.May.01; US Aug.01 Miramax-Universal 01/UK 2h05 ![]() | ||||
![]() At the centre of the big, meaty story are Iannis (Hurt), a village doctor on the Greek island of Cephallonia in the early 1940s, and his daughter Pelagia (Cruz), who is betrothed to local fisherman Mandras (Bale). Then their idyllic world is invaded by WWII. Mandras heads off to fight in Albania, while Italian and German troops are placed on Cephallonia. Soon, Pelagia finds a soulmate of sorts in the Italian Captain Corelli (Cage), a man who loves life and trains his men to sing, not fight. But what will she do when Mandras returns? And how will the war twist their fates? Obviously, the novel's sprawling, multi-strand structure has been streamlined here, but Madden and screenwriter Slovo have included so much subtext that it's still a remarkably complex film. There are such a wide variety of characters and events that it can't help but grab and carry us through the earthy humour, moral conflicts and battle horror ... all without ever resorting to stereotypes or easy moralising. It's quite simply one of the most intelligent, effective wartime romances ever put on screen, carefully building Pelagia and Corelli's relationship with warmth, comedy, tragedy and honest emotion. Cruz and Cage are excellent in roles quite unlike anything they've done before, but Hurt, Bale and Morrissey (as a conflicted German captain) are the standouts, with colourful, more involving performances that continually surprise us. Equally remarkable is the way Madden and cinematographer John Toll capture Cephallonia's beauty and history without a split second of sentimentality, despite the breathtaking scenery. And Stephen Warbeck's score is gorgeous, using Corelli's mandolin to actually speak! Wonderful.
| ||||
Kayaman, Greece: "Pro: good direction from Madden, nice photography. Cons: shallow dialog and historicaly incorrect script with many omissions from the real facts that happened in WWII and the Greek-Italian War in the Albanian Front - plus a somewhat biased view of Greece from Madden. Overall: typical Hollywood press machine filming." (15.May.01)
| ||||
|