Goodhew captures the period and situations beautifully--the film has a lush visual style that draws us into the story, keeping things lively and building the sinister undertones. But it just isn't dark enough to be film noir, nor is it funny or witty enough to be a black comedy. So just what it is remains a bit of a mystery, because we're never really drawn in; the story doesn't build up any emotional resonance at all. Performances are also a problem. Little gives us a clear idea of who Edith is and what she wants out of life, but we never believe her as a real person, so we never feel for her situation. Other characters are equally vague and theatrical, with two exceptions: Moran is surprisingly good against type as the irritating yet rather touching Percy; and Gruffudd shines, layering on all kinds of intriguing layers as the charming, frustrated Freddy. When he's on the screen you get an idea what the entire film could have been like with just a bit more passion and feeling.

adult themes and situations, some violence

8.Jun.01

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